House of Glass - Susan Fletcher

"June 1914 and a young woman - Clara Waterfield - is summoned to a
large stone house in Gloucestershire. Her task: to fill a greenhouse with exotic plants from Kew Gardens, to create a private paradise for the owner of Shadowbrook. Yet, on arrival, Clara hears rumours: something is wrong with this quiet, wisteria-covered house. Its gardens are filled with foxgloves, hydrangea and roses; it has lily-ponds, a croquet lawn - and the marvellous new glasshouse awaits her. But the house itself feels unloved. Its rooms are shuttered, or empty. The owner is mostly absent; the housekeeper and maids seem afraid. And soon, Clara understands their fear: for something - or someone - is walking through the house at night. In the height of summer, she finds herself drawn deeper into Shadowbrook's dark interior - and into the secrets that violently haunt this house. Nothing - not even the men who claim they wish to help her - is quite what it seems."

I had such high hopes for this book. A period novel with lonely women, ghosts, gothic houses and reclusive men. It sounded like Jane Eyre with botany, something I was all for. But I got absolutely nothing. 

It does some things well. A main character that has a disability and is different and she stayed clear of the “this girl has a disability so she must be sweet and lovely” trope which I was grateful for but apart from that this book just did not quite know what it wanted to be. Completely all over the place. If I wasn’t so incredibly bored I could perhaps gather up some disappointment. This book is confusing and plotless from start to finish and there is nothing gothic about it at all. 

A promising start with a beautiful and atmospheric description of the protagonist's childhood and mourning of her mother. But all this promise petered out with a weak middle and was absolutely destroyed by the many pointless and unearned revelations at the end. The ending was truly abysmal with plot holes galore and absolutely nothing making sense. 

House of glass turned out to be less of a ghost story and more of a tale of loss and lies. Strangely, the plot spiralled into an odd half-baked romance that seemed to belong to a whole other story. By the time I read the last page, I just ended up feeling drained and sad.

There were some beautiful lines and sentimental moments that were truly memorable, for sure. The author took a lot of creative liberties with her grammar, which can be effective when done properly. As I said, there were many beautifully written lines. However, she did it a little too often for my taste, and sometimes for no reason at all. Many sentences just seemed incomplete.

Overall a deeply disappointing read. 

Age Rating 16+. Some surprisingly sexual and violent scenes. 

Gentleman and Players - Joanne Harris

"Audere, agere, auferre. To dare, to strive, to conquer. For
generations, privileged young men have attended St. Oswald's Grammar School for Boys, groomed for success by the likes of Roy Straitley, the eccentric Classics teacher who has been a fixture there for more than thirty years. But this year the wind of unwelcome change is blowing. Suits, paperwork, and information technology are beginning to overshadow St. Oswald's tradition, and Straitley is finally, and reluctantly, contemplating retirement. He is joined this term by five new faculty members, including one who -- unbeknownst to Straitley and everyone else -- holds intimate and dangerous knowledge of St. Oswald's ways and secrets. Harbouring dark ties to the school's past, this young teacher has arrived with one terrible goal: to destroy St. Oswald's."

The novel is a psychological thriller, which features cunning deceits, flawed childhood, hidden identity, class distinction and revenge; the story ends with a deliciously unexpected twist at the end. There are two narrators; Roy Straitley, the Classics Master, on the eve of his century (100th) term who is affectionately referred to, by his students, as Quasi or Quasimodo as he is a trifle hunched and whose rooms are in the Bell Tower. Straitley is a Luddite; ignoring all requests to attend to his email, he swears in Latin and smokes (banned by the school) secret Gauloises in his office. The other narrator is the unnamed perpetrator who is bent on revenge for a myriad of both real and imagined slights committed by St Oswalds; a sociopath who is filled with hatred and bitterness. This perpetrator knows no rules he will not break; somehow he has infiltrated the teachers' ranks, and become one of them. 

Harris is able to evoke a real sense of place and conveys a perfect understanding of when to show and not tell, and how to fully immerse her readers in this rarefied setting. Her exploration of identity is remarkably nuanced. Age, gender, class, psychology, elitism, work ethic, personal value system... all are at play in this novel. The prose on a technical level is without fault; the tone shifts effortlessly from playful to foreboding and then back again. The mystery itself is very absorbing - despite the richness of the writing, the novel is a page-turner.

I truly loved this book. It was everything I was wanting from it. An engaging mystery, with detailed characterisation, a unique aesthetic and a nuanced interweaving of many of my favourite themes. I highly recommend it.

Age Rating 16+. Mentions of alcoholism, sexual abuse and murder. 

Cat Out of Hell - Lynne Truss

"For people who both love and hate cats comes the tale of Alec
Charlesworth, a librarian who finds himself suddenly alone: he’s lost his job, his beloved wife has just died. Overcome by grief, he searches for clues about her disappearance in a file of interviews between a man called "Wiggy" and a cat, Roger. Who speaks to him...

And he’s got a tale to tell, a tale of shocking local history and dark forces that may link not only the death of Alec’s wife, but also several other local deaths. But will the cat help Alec, or is he one of the dark forces?"

This book is certainly not for those looking for a cohesive narrative or stellar plot building. It was silly and camp and an all round fun read. It seems to be classed as horror, but I think the author wrote it tongue-in-cheek. If you’re a horror fan looking for a spine-tingler you won’t find it here. 

It certainly has its issues as a book.  You can follow what’s happening but the narrative skips and jumps for no reason. When Truss builds up to an interesting scene like a heist or a murder mystery reveal, she skips it and jumps ahead to the aftermath before going back to the safety of Alec or Wiggy’s overly chatty, rather scatterbrained narration. The ending is also a let down. Events stumble clumsily to the final act and then, just when I thought it couldn’t possibly be this predictable, when Truss MUST do something a little different to make things at least a bit interesting, she opts instead for exactly the least original choice. 

However despite my grumblings, I actually did enjoy this book. I could feel that Truss was having fun writing this book and just let herself spurt all the weirdest silliest dialogue onto the page. I couldn't help but be infected by the wonderful craziness of the whole thing, and the dry, pop culture studded humour was right up my alley. 

Age Rating 17+. Some pretty graphic murder scenes, awful torture and gore. 

A Quiet Place - Seicho Matsumoto

"While on a business trip to Kobe, Tsuneo Asai receives the news that
his wife Eiko has died of a heart attack. Eiko had a heart condition so the news of her death wasn't totally unexpected. But the circumstances of her demise left Tsuneo, a softly-spoken government bureaucrat, perplexed. How did it come about that his wife—who was shy and withdrawn, and only left their house twice a week to go to haiku meetings—ended up dead in a small shop in a shady Tokyo neighborhood?

When Tsuneo goes to apologize to the boutique owner for the trouble caused by his wife’s death he discovers the villa Tachibana near by, a house known to be a meeting place for secret lovers. As he digs deeper into his wife's recent past, he must eventually conclude that she led a double life..."

At first I blamed the English translation for the unremarkable prose and plodding pace of the story. It couldn't be the author (who is praised for his psychological thrillers) could it? But the more I read, the more I understood that the dull writing was a deliberate device. The main character, Tsuneo Asai, is a middle-aged bureaucrat who has made it up the ladder in the ministry through circumspect behaviour and persistent hard work. He thinks almost exclusively about his job and, as a result, his life is as unexciting as the prose Matsumoto uses to describe it. Only through subtle clues do we eventually realise this fixation on work actually hides a deeper lack of emotional attachment. Asai’s wife is younger than he is; described as plain, quiet and unassuming. She copes well with her husband’s travel and work schedule, spending time with her sister and attending haiku meetings. When informed of her death, Asai is understandably curious and begins an investigation that quickly turns into an obsessive need to learn exactly what kind of life his wife had been leading. At this point, the tone of the story changes and accelerates to keep pace with Asai’s increasing loss of self-control and descent into obsessive neurosis. 

I really enjoyed that Matsumoto flipped the traditional crime structure, instead of the murder happening at the beginning  and the plot revolving around it being uncovered. Matsumoto actually has the murder happen in the middle of the book. I don't want to say to much as I think it will spoil the book. 

Overall, definitely not going to be everyone's cup of tea. If you are looking for a rollicking thriller this is not it. It is tense, claustrophobic and has incredibly sparse bordering of out-right boring prose. It is definitely a book that requires the reader to be actively involved and engage in the subtle clues the prose gives you. 

Age Rating 14+ Murder, semi-sexual, injury detail. 

Winter Rose - Patricia A McKillip

"Sorrow and trouble and bitterness will bound you and yours and the
children of yours...

Some said the dying words of Nial Lynn, murdered by his own son, were a wicked curse. To others, it was a winter's tale spun by firelight on cold, dark nights. But when Corbet Lynn came to rebuild his family estate, memories of his grandfather's curse were rekindled by young and old - and rumours filled the heavy air of summer.

In the woods that border Lynn Hall, free-spirited Rois Melior roams wild and barefooted in search of healing herbs. She is as hopelessly unbridled - and unsuited for marriage - as her betrothed sister Laurel is domestic. In Corbet's pale green eyes, Rois senses a desperate longing. In her restless dreams, mixed with the heady warmth of harvest wine, she hears him beckon. And as autumn gold fades, Rois is consumed with Corbet Lynn, obsessed with his secret past - until, across the frozen countryside and in flight from her own imagination, truth and dreams become inseparable..."

This was my first McKillip book, and I'm just a little disappointed actually. From the first pages, I thought it was going to be a combination of beautiful writing, fantasy with a solid plot and well developed characters. I'm afraid it only delivered the beautiful writing, and couldn't just hook me to the rest of the story.
It's a very slow going book, with lots of descriptions, and atmosphere. Which is absolutely fine if well executed, but there should have been a bit more balance for a more plot or better set up for fantastical elements.

However it could be argued that is sparseness in characterisation and plot was a literary choice on McKillip's part. The book does feel exactly like an old fairy-tale your mother would tell you. Simple, beautiful and slightly incomprehensible. If you just relax into the book and don't try to understand it, I think it would improve your reading experience. 

There is much to admire in this book: some beautifully lyrical, poetic writing, especially of dreams and visions and mysterious moments of two worlds intermingling. But ultimately it is undermined by a climax that remains too elusive, abstract and muddy (featuring dialogue that suddenly becomes jarringly melodramatic) and a general feeling that the poetic prose is keeping the emotional heart of the story at arms’ length.

I am still interested in reading more of Patrica A. McKillip’s work, since she is clearly gifted, has a rich imagination and the ability to paint beautiful pictures with her words. Her focus on fairy-tale and folklore, while keeping much of the traditional style of the old stories, is also right up my street. 

Age Rating 13+. Nothing untoward. An illusion to child abuse. Might struggle with comprehension but hey so did I. 

The Golem - Gustav Meyrink

"The Golem is a haunting Gothic tale of stolen identity and persecution, set in a strange underworld peopled by fantastical characters. The red-headed prostitute Rosina; the junk-dealer Aaron Wassertrum; puppeteers; street musicians; and a deaf-mute silhouette artist.

Lurking in its inhabitants’ subconscious is the Golem, a creature of rabbinical myth. Supposedly a manifestation of all the suffering of the ghetto, it comes to life every 33 years in a room without a door. When the jeweller Athanasius Pernath, suffering from broken dreams and amnesia, sees the Golem, he realises to his terror that the ghostly man of clay shares his own face...

The Golem, though rarely seen, is central to the novel as a representative of the ghetto's own spirit and consciousness, brought to life by the suffering and misery that its inhabitants have endured over the centuries. Perhaps the most memorable figure in the story is the city of Prague itself, recognisable through its landmarks such as the Street of the Alchemists and the Castle."

This book is easily the most disturbing, unsettlingly, nonsensical, confusing book I have read in a long time, maybe ever. It feels like an incredibly macabre adult version of Alice in Wonderland. You are dragged from nonsensical reality warping situation to the next, each infused with dark occult symbolism. 

Gustav Meyrink's unique infusion of Kabbalism, Freemasonry and the Wandering Jew mythos into the Golem legend can get murky at ti
mes, but in light of the author's own divided spiritual pursuits it makes sense that clarity remains elusive. As an early fictional reflection of this restless search for inner truth, it is disjointed, confusing and thoroughly disturbing. This novel is at times highly episodic in nature (it was originally published in serial form), alternately dwelling on various possible explanations for what is going on, while only tangentially maintaining contact with the overarching narrative. What is truth, imagined, dreamt or the result of madness is always unclear and I think purposefully so.  Though it comes full circle in a manner of speaking, it is still deliberately vague in its conclusion.

While the actual prose and lyrical descriptions are truly wonderful and haunting in the best way possible, I found the actual content of the book too disturbing to enjoy. It is a relatively short book but I found it a slog to get through as you never really understand what is going on. The characters while all so very promising, such as Rosina, Miriam, and the silhouette artist, are never fleshed out and are reduced to boring paper cut-outs. While I can see that Meyrink is trying to make a point in this book, his use of occult symbolism and narrative structure is too abstract to get his themes across with any poignancy. 

Age Rating 16+. Thoroughly disturbing atmosphere with some sexual illusions.

The Dante Club - Matthew Pearl

"In 1865 Boston, the literary geniuses of the Dante Club—poets and Harvard professors Henry Wadsworth Longfellow, Dr. Oliver Wendell Holmes, and James Russell Lowell, along with publisher J. T. Fields—are finishing America's first translation of The Divine Comedy and preparing to unveil Dante's remarkable visions to the New World. The powerful Boston Brahmins at Harvard College are fighting to keep Dante in obscurity, believing that the infiltration of foreign superstitions into American minds will prove as corrupting as the immigrants arriving at Boston Harbour.

The members of the Dante Club fight to keep a sacred literary cause alive, but their plans fall apart when a series of murders erupts through Boston and Cambridge. Only this small group of scholars realizes that the gruesome killings are modelled on the descriptions of Hell's punishments from Dante's Inferno. With the lives of the Boston elite and Dante's literary future in America at stake, the Dante Club members must find the killer before the authorities discover their secret."

This is not a long book, but it often felt that way. Verbose, densely-written, with constant references to the state of literature, and publishing, in Boston just after the end of the Civil War. It really helps if the reader has some knowledge of the history, location, and the social and political complexities of the time. Seriously, it often assumed we all know who Henry Wadsworth Longfellow, James Russell Lowell, Oliver Wendell Holmes and a few others are and that we are privy to a large amount of personal information about each. Because of this fact, there is unfortunately very little characterisation and growth in the characters. None of their voices felt unique, nor did I  feel like I was seeing a literary hero come to life on the page before me. Now I do know who they are, but I still mixed them up.

I'd be reading about one of them dashing off somewhere and then the scene would change to the study of a house where another was sitting, reading, perusing - and I'd think, wasn't he just running down the road? No, no, no! Get your famous, mid-nineteenth century New England, literary figures straight!

The book is a mixture of real historical facts and a well - crafted fictitious story. Most of the characters were real people and the main ones are celebrated poets. This is one of the most interesting features that I have found in Pearl's book. This feature gives realism to the story, and in this story, the poets of the Dante Club assume the role of detectives in their attempt to find a serial killer. 

However there where many side plots that weren't dealt with. The police officer of mixed-race, Nicholas Rey, is just... kind of there. We never delve deeper into his phycological state, he never says or is used to demonstrate anything interesting about the social time/ racism in Boston. There is nothing said about the hypocrisy of the Northern States who fought for the freedom of slaves but where still battling against their own racism. It would have also been interesting to see how these old rich white men would react to having to work closely with a mixed race man. 

There where also no women in this book. No main characters and not even an interesting side character that felt well fleshed out. It was frustrating and disappointing. I don't need every book to have a strong female protagonist, and watching a group of grandpa's trying to solve crime was sweet, but at least have a fleshed out supportive wife or spunky daughter/granddaughter, please. 

It was, overall, an interesting read. There were many surprising twist and turns. The historical facts relating to the time of Dante translation were quite intriguing. However, I found the flow of the story choppy, awkwardly cutting from scene to scene and the pace very, very slow. There was suspense, but it was built up so incrementally and only towards the very end. When Pearl finally does start to delve into the psychology of the killer (which was intriguing and actually my favourite part of the book), it was far too little, far too late.

Age Rating 15+. The murder scenes are really quite brutal, far more so than I was expecting from the tone of the rest of the book. 

The Otherlife - Julia Gray

"I always get away with it when I try stuff like this. Partly it

comes down to sort of assuming that I'm going to. I've got loads of confidence. And Loki got away with everything. Well, almost everything.

When troubled, quiet Ben begins at the ruthlessly competitive Cottesmore House, school to the richest, most privileged boys, he is befriended by Hobie: the wealthy class bully, product of monstrous indulgence and intense parental ambition.

Hobie is drawn to Ben because he can see the Otherlife: a violent, mythic place where gods and monsters roam. Ben has unnerving visions of Thor and Odin, and of the giant beasts that will destroy them, as well as Loki, god of mischief. Hobie is desperate to be a part of it.

Years later, Ben discovers his beloved tutor Jason is dead. And he can’t help wondering if Hobie – wild, restless, dangerous Hobie, had something to do with it…"

A surprisingly great book which has many element which I enjoy such as magic realism linking to Norse Mythology, something I absolutely love. Such a myth nerd. 

I half expected, from the blurb, of this to be a tale of jumping between worlds and being chased by an individual uncannily like Loki. But it's not and I was slightly disappointed by the fact that the Norse Gods didn't appear as often as I expected nor did Ben, one of the main characters, flit between worlds.

However what we do get, a dark academia-esque murder mystery, was very fun to read. The writing was also beautifully done, with subtle humour and realistic dialogue. As someone who has lived in England, I found the English culture that was very prevalent amusing and wonderful to read. 

The tale is told between two perspective: the diary entries of Hobie in 2008, and present time from Ben's point of view. At first, I wasn't sure where this story was going. There was one mention of the Gods in Ben's POV, then we changed to Hobie's perspective and that had no Gods in it whatsoever in the beginning. But slowly, slowly, the story built and I found myself reading faster and faster to find out the ending, to discover the truth of what happened to those boys at Duvalle Hall and how it all went so very
wrong.

Hobie is awful, but it was also incredibly interesting seeing his perspective? He's a bully, he's spoiled and he bullies his little sister into having an eating disorder. However, you can also see that he's falling apart and the cruelness is how he copes with the anger and pressure he is under. So I disliked him as a person, but seeing from his perspective was so interesting and I loved reading the POV of both boys. 

Ben on the other hand is a quiet metal head loner. He speaks old Norse, tattooed himself at 12 and is surprisingly kind and gentle towards others. Both characters felt well fleshed out, realistic and I could relate to both of them. 

The 'Otherlife' as Ben calls it is softly woven into the main story line, a kind of off-to-the-side extra that made me wonder if it was all in Ben's head or if he really was seeing Asgard and the Gods of Norse mythology. The ending of the book ties everything in nicely, giving the readers the final explanation of everything that had occurred.

This book is good but not in a nice way. It features a lot of horrible events from horrible characters and it shows a really dark side to parents/parenting who drive their children towards ambition so hard that they destroy them. It's also very much about undiagnosed mental illness and people making mistake after mistake until it destroys them.

However, I did find the book to be a little emotionally flat. I wasn't that deeply involved. However, I think that might have just been from the shortness of the book, only 225 pages on my kindle edition, rather than any lack of characterisation. I also didn't like the shoehorned romance element between Ben and Zara. There was no chemistry, no history and they felt like polar opposite personalities. 

Age Rating 14+. Bullying, eating disorders, broken marriages, academic pressure, drug addiction, death, broken family. 

The Historian - Elisabeth Kostova

"To you, perceptive reader, I bequeath my history....Late one night,

exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of, a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to all inconceivable evil hidden in the depths of history.

The letters provide links to one of the darkest powers that humanity has ever known and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself--to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive."

Kostova writes The Historian in epistolary form, primarily through letters from a father historian to a daughter (presumably) historian. The greater part of the book, however, focused not on this father-daughter team’s desperate search  for Dracula, but on the obscure history of Vlad Tepes, the historical figure who inspired the legend of Dracula, and on the geography of Romania, Bulgaria, and Turkey during the Cold War. If the Travel Channel™ was ever looking for someone to host Istanbul on a Budget 1980 or Passport to Monasteries Behind the Iron Curtain, Kostova would be their woman. Whether the history and geography is true or not, the sheer volume of trivia padding this book and the work it had to have taken to put it all together is confounding. 

To add to the dullness, the way that this books plot unfurls in mainly in the form of letter. Unbelievably detailed letters! Now I have read a number of great books that use the format of letter writing to convey the plot. But this? Ridiculous. Not only are these letters insanely long, but they are insanely detailed as well, creating yet another reason why the book and the characters are completely unbelievable. Nobody writes a letter like this, no one. If that's how the author wanted to write this, why did she do the letter thing at all? 

Even with the impressive research, this story lacks any punch. Dracula would have gotten away with it, too, if it weren’t for those pesky historians! Dracula and his henchman, the “evil librarian,”, I kid you not,  don’t plague society or cause panic or murder people in large quantities to drink their blood. Rather, they make appearances in goofy disguises in libraries and cafes to give books and other clues to especially promising young historians, inspiring the recipients to begin insatiable quests to find out more about this Dracula fellow. Then, Dracula inevitably shows up again to slap people around a little, so that the historians will be too afraid to continue their research. Once, after giving a historian a book to start him on his vampire studies, Dracula disguises himself as “a stranger” and buys that historian a drink called, “whimsically, amnesia.” Bet you can’t guess what that does - all that research down the tubes! Stop the mind games, Dracula! Not to be deterred by Dracula’s or the Evil Librarian’s threats, the historians continue to stalk their prey until the reader would pity Dracula (if he weren’t annoying), because he is ultimately only trying to build a book collection and a gang of faithful research assistants.

Psychological conflict adds complexity to most vampire stories, as in Bram Stoker’s Dracula, when Mina, formerly a protagonist, becomes bloodthirsty. Thirst is the most basic human experience, and all vampires started as humans. Theoretically, thirst (or, more broadly, desire) could create evil in anyone; and, therefore, of all monsters we most easily identify with are vampires. In The Historian, however, I am left with the impression that if those historians left poor Dracula alone, he would have just kept happily collecting books. It was ultimately the obsessive research and study, not Dracula himself, that took the historians away from their loved ones and almost destroyed them.

Finally, the ending. If you value your sanity, do not, I repeat DO NOT finish this book. Because if you are sane, you will get to the ending and go, 'What? What?? Are you f-n kidding me?? That's the stupidest thing I've ever heard!' No joke. The ending, especially after 600 pages, has got to be the biggest let down of any major novel in recent years. I won't spoil it here (however badly I want to vent about it), but I swear to you: it will cause you physical agony when you read it.

The only upside to this book are the stunning locations. Through the book your trip around Italy, France, Istanbul, England and Eastern Europe. All richly described and so wonderfully atmospheric. If you like the Dark Academia Aesthetic then you will enjoy that aspect of the book, which was to be honest, the only thing that kept me reading. 

Age Rating 13+. Nothing grizzly or dramatic. The reason for the age rating is the dullness of the writing which I wouldn't punish a child with. 

Vicious - V. E Schwab

"A masterful tale of ambition, jealousy, desire, and superpowers. Victor and Eli started out as college roommates—brilliant, arrogant, lonely boys who recognized the same sharpness and ambition in each other. In their senior year, a shared research interest in adrenaline, near-death experiences, and seemingly supernatural events reveals an intriguing possibility: that under the right conditions, someone could develop extraordinary abilities. But when their thesis moves from the academic to the experimental, things go horribly wrong.

Ten years later, Victor breaks out of prison, determined to catch up to his old friend (now foe), aided by a young girl whose reserved nature obscures a stunning ability. Meanwhile, Eli is on a mission to eradicate every other super-powered person that he can find—aside from his sidekick, an enigmatic woman with an unbreakable will. Armed with terrible power on both sides, driven by the memory of betrayal and loss, the archnemeses have set a course for revenge—but who will be left alive at the end?"

I am unsure of what I think about this book. On one hand I found the characters very compelling. Both Victor and Eli are complete Psychopaths that are inextricably drawn to each other. They act like cat and mouse, constantly circling each other, watching for weakness. I adored the complex friendship between the two men that hovered somewhere between admiration and bitter jealousy and how this developed as they grew and became more obsessed with power and their own warped view of right and wrong. The deeply understand each other but still despise each other. 

The dynamic is very clever and both characters where incredibly interesting. Schwab's use of language to navigate this was also very good. There are some very quotable lines. The writing was minimal, clean and beautiful. 

However I found the plot to be lacking. It was relatively simplistic and I was never felt shocked or surprised in the way the book was progressing. The ending was also a tad disappointing. All in all I think it would have been an amazing book if the plot had been more unique and slightly more hard hitting. 

Age Rating 14+. Torture, brutal violence and swearing. 

Crooked - Austin Grossman

"Award-winning novelist Austin Grossman re imagines the Cold War as an epic battle against the occult waged by the ultimate American antihero: Richard Nixon.

Richard Milhous Nixon lived one of the most improbable lives of the twentieth century. Our thirty-seventh president's political career spanned the button-down fifties, the Mad Men sixties, and the turbulent seventies. He faced down the Russians, the Chinese, and ultimately his own government. The man went from political mastermind to a national joke, sobbing in the Oval Office, leaving us with one burning question: how could he have lost it all?

Here for the first time is the tale told in his own words: the terrifying supernatural secret he stumbled upon as a young man, the truth behind the Cold War, and the truth behind the Watergate cover-up. What if our nation's worst president was actually a pivotal figure caught in a desperate struggle between ordinary life and horrors from another reality? What if the man we call our worst president was, in truth, our greatest?

In Crooked, Nixon finally reveals the secret history of modern American politics as only Austin Grossman could re imagine it. Combining Lovecraftian suspense, international intrigue, Russian honey traps, and a presidential marriage whose secrets and battles of attrition were their own heroic saga, Grossman's novel is a masterwork of alternative history, equal parts mesmerising character study and nail-biting Faustian thriller."

The concept here is that when Nixon was an underhanded congressman trying to prove that Alger Hiss was a Soviet spy he inadvertently stumbled across a hidden occult world of Lovecratfian style horrors. This discovery and his ambition paves the way for him to become a reluctant KGB spy which in turn helps him become vice-president. I won't go too much further about the plot as I don't want to give too much away but it is quite a ride. 

This book surprised me because I was thinking that it would be done in a tongue-in-cheek way that played off the idea of Richard Nixon being a hero after all, but in fact it’s the exact opposite. The portrayal of him here is still that of an insecure and bitter guy who seemed to lack the charisma and charm of a used car salesmen, but whose relentless drive and willingness to fight dirty enabled him to rise to power. This is more of a character study that just puts a supernatural coat of paint on the man rather than try to shine him up into something he wasn’t. It was very interesting and masterfully done. Truly great characterisation. 

But that leaves me not sure what exactly the point of all this was. The idea that all these weird occult happenings have links embedded in the foundation of American government was very very interesting, and it seems like there was the potential for a good story there. However, we see this through Nixon’s eyes, and he doesn’t really know the full scope of what’s going on until late in the game. Since this is an outsider telling us the story it seems like we’re only getting a glimpse of a secret history although some of the historical incidents have an interesting twist on them like the moon landing.

I wanted more however. More magic, more appalling spells and shadows, more politics and law of the other side. I wanted more backstory of the power of the President of the United States and the entanglement of the hidden and very real power of the Presidents. If this hidden word had been built on more, further investigated and fleshed out I think it would have been very good indeed. 

Unfortunately, I found myself a little let down. 

Age Rating 14+. Some creep scenes, allusions to torture and sex. 

The Seed Collectors - Scarlett Thomas

"Great Aunt Oleander is dead. To each of her nearest and dearest she has left a seed pod. The seed pods might be deadly, but then again they might also contain the secret of enlightenment. Not that anyone has much time for enlightenment. Fleur, left behind at the crumbling Namaste House, must step into Oleander’s role as guru to lost and lonely celebrities. Bryony wants to lose the weight she put on after her botanist parents disappeared, but can’t stop drinking. And Charlie struggles to make sense of his life after losing the one woman he could truly love.

A complex and fiercely contemporary tale of inheritance, enlightenment, life, death, desire, and family trees."

A deeply unusual and unexpected book. This offbeat novel about obsession, sex and inheritance is set in Kent in 2011 and stars an extended family of botanists. The concept of a family tree has a more than usually literal meaning here given the shared surname is Gardener and most members are named after plants. We have Great-Aunt Oleander, recently deceased; cousin Bryony and her children Holly and Ash; siblings Charlie and Clem (short for Clematis); and half-sister Fleur, who has taken over Oleander’s yoga centre, Namaste House. The generation in between was virtually lost, perhaps to a plant-based drug overdose, on a seed collecting expedition to the South Pacific. Oleander has left each motherless child one of these possibly deadly seed pods.

First, did I mention the book is saturated with sex? Incest, adultery, illegitimate children, S&M, Internet porn, you name it. But beyond that, the metaphorical language is highly sexualized – bursting with seeds, fertility and genital-like plants. I can’t think when I’ve encountered such oversexed vocabulary. It was unexpected and raw and quite shocking. 

I found the plot very loose. I would say it is my main disappointment. Nothing was really achieved or resolved. There was no momentum or push.  Not all the story lines are truly essential, so the book seems aimless for its final third as it doesn't really know what to do with itself. It definitely could have been shorter and tied together better, perhaps with some flashbacks to the previous generation’s experiences on the island to make the past feel more alive. The spiritual element also remains incredibly vague and a tad shoehorned in, I am still unsure if they where high, crazy or experiencing reality. Although it was a pleasant touch of magic realism along the way in the midst of the raw and brutal character studies. 

Finally on to the characters. They really are the driving point of this book, it really does feel like a long character study. Unfortunately all of these characters are complete unlikable for a variety of different reasons. They are obsessive, cold, angry, stupid, apathetic but all the time so uncomfortably real. I have read some reviews of people commenting that the characters are unrealistic and unlike anybody they know, well then I really envy you. Sure the characters could be said to be boiled down to their key traits but as someone from a large and highly dysfunctional family, the characters and their mannerisms where all too recognisable. 

Despite these reservations, I truly enjoyed Thomas’s unusual writing. She moves freely between characters’ perspectives but also inserts odd second-person asides asking philosophical questions about wasted time and what is truly important in life. I like the range of questions you’re left with as a reader: Is nature malicious? Can we overcome our addictions? How much of who we are is down to our parentage? Does life really just come down to sex? 

Age Rating 15+. Large amounts of sex, drugs, mental illness, alcohol addiction, realistic family dysfunction, abuse and suicide. 

Alias Grace - Margaret Atwood

"It's 1843, and Grace Marks has been convicted for her involvement in the vicious murders of her employer and his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders.

An up-and-coming expert in the burgeoning field of mental illness is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember. What will he find in attempting to unlock her memories?"

A truly masterful book. 

Grace is a murderess. She collaborated with her co-worker to kill their master and his mistress out of jealously. So the people say. So the people want to believe. Because, let’s face it, where’s the fascination in a murder committed only by a man? There’s no sensation, nothing to stir the crowds. Whereas a woman who took a life? Well, there’s the spectacle! Never mind that she may be innocent. This is a perfect chance to humiliate women, to place the blame on them and continue the tradition that started at the beginning of time...But Grace knows the truth. Or does she?

Margaret Atwood takes the story of one of the most famous female prisoners of the 19th century and weaves a masterpiece of a novel. Set in the 1840s in Canada and spanning almost 30 years, this is a confession and a fascinating journey to the mind and the life of a woman who has much to say and even more to hide. Is she a criminal? An innocent bystander? A cold-blooded killer? Is she a victim of her weak will? A small animal captured in a man’s well-constructed trap? And does anyone want to actually listen to her? When a young psychiatrist decides to dive into the darkest part of Grace’s mind, everything will change.

This is a novel that I consider perfect on every level. I’ve always believed that the finest writers can give us the conclusion at the beginning of the story and we’ll still be interested and invested in the development of the action. This is exactly what happens here. While Atwood doesn’t reveal everything at once, we have all the proper materials to ‘’guess’’ the end and there is still much space for suspense, agony and, speaking strictly for me, anger. Anger was the feeling that became my loyal companion while I was reading. Anger because of the double-standards of the time, the conviction that a woman is guilty by definition when accused, the habit of regarding women as objects for the men’s pleasure, ripe for the taking...

I loved the way Atwood uses the newly-born ideas of Mesmerism and Magnetism and the rising of Spiritualism movement that became in vogue a few years later. In addition, she addresses the issue of Hysteria, the common belief that all women were prone to uncontrollable, violent fits of rage, another token of a society that refused to believe that women are actual human beings with the right to seek sexual pleasure and emotional fulfilment. God forbid, these are principles solely belonging to men…. 

This theme of suppression is apparent throughout the novel. Suppression of thoughts, feelings and sexuality that become, because of its suppression, twisted and grotesque. This is mainly shown is the character of Dr Simon Jordan, the phycologist sent to assess Grace. He is very complex, in my opinion, very real and perplexing. He is not free from his own demons, he has some fairly obscure ideas about sexual pleasure but he desires progress and knowledge. The internal grappling between the carnal and "base" attributes and the socially excepted enlightened ones was wonderfully expressed and so interesting to explore. 

Grace is a complex, intriguing character. In my opinion, she retains characteristics of the Unreliable Narrator as we are never actually certain that her views on events and people are accurate. She comes across as a sympathetic, level-headed, brave, considerate and surprisingly dignified woman.  However, she keeps an air of quiet cunning and manipulation, suggesting she could very well be a murderess playing on the stereotypes of the day, a masterful actress portraying the feminine ideal.  She’s not afraid to express mistrust or uncertainty and has the self-discipline to keep her most ‘’controversial’’ thoughts secret until the opportune moment. Atwood takes us into Grace’s mind before she speaks and succeeds in creating a complete picture of our heroine. However, there is still an aura of mystery surrounding her and a strange, underlying sensuality and dark innocence.

I absolutely adored the writing in this book. Atwood lends a lyrical and poetical prose to her work, something not often seen in historical fiction. Sometimes I just had to stop and reread a sentence as it was just so exquisitely written. The whole book has a feeling of oppressiveness, trapped and in danger, like being in a locked hothouse with too many clothes on. Truly an atmospheric work of art. 

Age Rating 16+. Adult content. Sex, allusions to sex, rape, abortions, death, murder, and an disturbingly oppressive atmosphere. 

An Almond for a Parrot - Wray Delaney

"London, 1756: In Newgate prison, Tully Truegood awaits trial. Her fate hanging in the balance, she tells her life-story. It’s a tale that takes her from skivvy in the back streets of London, to conjuror’s assistant, to celebrated courtesan at her stepmother’s Fairy House, the notorious house of ill-repute where decadent excess is a must…

Tully was once the talk of the town. Now, with the best seats at Newgate already sold in anticipation of her execution, her only chance of survival is to get her story to the one person who can help her avoid the gallows."

The way Gardner presents Tully's story is very vivid, straightforward and the language is a faithful example of the 18th century English collocations. The descriptions are lavish, detailed, from the clothes to the furniture to the daily life of the upper and low classes. The atmosphere was rich and luxurious.

Most importantly, the depiction of the prejudices and the stereotypes imposed on women by their fathers and their husbands is brutally honest. This is a world where a woman has to use her body as a merchandise in order to retain or to gain some form of dignity and self-respect, to acquire the necessary means to live her life in some form of freedom, however controversial. 

The magical realism element was a suprise but it is successfully woven into the story, adding an aura of mystery to Tully’s character. I do wish this element was explained more but I really enjoyed its inclusion. 

People have described this story as erotica, I personally disagree. It does have graphic sexual scenes but it's plot and characters is foremost. And as for the racy scenes? Well, this is the 18th century and our main character is a courtesan, so that’s that. In any case, you can easily skip them if they bother you.


Tully is an engaging main character. Naïve, sincere, brave and unafraid of her sexuality. She tries to make her life better, using the means that are accessible at the given moment and I don’t think that the readers should judge her. We all struggle to live our lives as best as we can given the era, the circumstances and all the unpredictable factors. I refuse to judge her choices and probably would have made the same ones in her prediciment. 

I personally thought that the speed that Tully feel in love with Avery was rushed. I would have liked if their relationship was fleshed out more and there was more time for the audience to get invested. They just sleep with each other a few times and I am supposed to believe they have a deep emotional, spiritual connection?

Overall a really good book that I personally enjoyed thoroughly. Won't be for everyone as it does have a very whimsical and otherworldly vibe to the whole thing, that is added to by Tully's ability to see ghosts.

Age Rating 16+. Very graphic sex scenes, rape and references to child rape. Not for the feint hearted. 

Muse of Nightmares - Liani Taylor

"Sarai has lived and breathed nightmares since she was six years old.

She believed she knew every horror and was beyond surprise.

She was wrong.

In the wake of tragedy, neither Lazlo nor Sarai are who they were before. One a god, the other a ghost, they struggle to grasp the new boundaries of their selves as dark-minded Minya holds them hostage, intent on vengeance against Weep.

Lazlo faces an unthinkable choice—save the woman he loves, or everyone else?—while Sarai feels more helpless than ever. But is she? Sometimes, only the direst need can teach us our own depths, and Sarai, the Muse of Nightmares, has not yet discovered what she's capable of.

As humans and godspawn reel in the aftermath of the citadel's near fall, a new foe shatters their fragile hopes, and the mysteries of the Mesarthim are resurrected: Where did the gods come from, and why? What was done with thousands of children born in the citadel nursery? And most important of all, as forgotten doors are opened and new worlds revealed: Must heroes always slay monsters, or is it possible to save them instead?"

I’m so impressed by how Taylor deftly dances across genres, careening between fantasy and science-fiction. Even more inspiring is how she sprawls out from her story’s already expansive beginning to an even broader canvas of magic and war and divinity, brilliantly tying the myriad threads of her story together by the end. It’s something that can be so easily abused and leaned on like a crutch, but in the hands of a skilled author like Taylor, the world of the book only manifolds, unfurling like concealed pages of a map, and uncovering a future full of terrible, unguessable magic. It's like falling into a nautilus shell: every time you think you've reached the end, another chamber opens. 

I know a lot of us were expecting Muse of Nightmares to be good, but I have to say, this book actually exceeded my expectations. I have a lump in my throat and I can't stop thinking about it. Taylors use of symbolism, poetic writing and grandeur is astounding to read. However it never feels inhuman and distant. 

No spoilers, of course. The beginning opens by introducing us to two new characters - Kora and Nova - and their compelling story eventually becomes deeply-entwined with the main plot in ways that were unexpected, thrilling, and sad.

If you are that sort of reader, this is definitely a crying book. There is one scene - you'll know it when you come to it - that was so heartbreakingly emotional that I had to put the book down for a few minutes to organize my feelings. Taylor creates such strong ties between characters that it feels like a physical, painful thing when those ties are broken.

The story at the heart of Muse of Nightmares continues Strange the Dreamer in that it's about discovering the origins of Weep and the floating citadel. What really happened all those years ago? How did five half-human children survive the Carnage and become trapped in a secret prison?

Finding out opens up doors to horrors and, let me tell you-- some parts of this are really creepy. Every single villian in this duology gets a redemption arc, which RIPPED MY HEART OUT. They all had tortured pasts and were forced to do awful acts in order to empower themselves, which was so heart-breaking to witness. There was so much rage and pain and moral grayness. 

The faranji! My beloved faranji! They were amazing! Calixte and Tzara, Thyon and Ruza. Ah, their dynamics warm my heart. The sass…the humour! And to think I hated Thyon in Strange the Dreamer! His character development was honestly amazing and everything I ever wanted! My only complaint is that they had such small and insignificant roles here. I was definitely left wanting more! Eril-Fane, Azareen, and Suheyla were also highlights for me. I’m so happy with how their storylines wrapped up. It was beautiful.

Age Rating 16+. Adult content. Rape, forced marriages, child slavery...