Sisters of the Winter Wood - Rena Rossner

"Raised in a small village surrounded by vast forests, Liba and Laya
have lived a peaceful sheltered life - even if they've heard of troubling times for Jews elsewhere. When their parents travel to visit their dying grandfather, the sisters are left behind in their home in the woods.

But before they leave, Liba discovers the secret that their Tati can transform into a bear, and their Mami into a swan. Perhaps, Liba realizes, the old fairy tales are true. She must guard this secret carefully, even from her beloved sister.

Soon a troupe of mysterious men appear in town and Laya falls under their spell despite their mother's warning to be wary of strangers. And these are not the only dangers lurking in the woods...

The sisters will need each other if they are to become the women they need to be - and save their people from the dark forces that draw closer."

I was so excited for this book. A retelling of Russian Folklore, centring on female connections. Offering a unique insight into Jewish culture and folk traditions. Shapeshifting and myths. The comparison of Kathrine Arden's The Bear and the Nightingale. 

But no...teen angst, hormone stew and a never-ending train of terrible ideas with very little way of actual action. Truly a terrible read. 

It doesn't help that half this book is written in terrible meter-less "poetry". Line breaks don't turn indifferent prose into good poetry. They just make you seem pretentious. The good thing is that it reads quickly because there aren't many words. The bad thing is that it drives me batsh*t crazy. I'm not averse to poetry, but good poetry is compact and chewy, with lots of layers to tease out and the occasional transcendent phrase that opens up new ways of seeing or knowing. This is...not good poetry. 

Overall, It needed to be a much darker tale. The potential was there. The mythical and fairy tales on which this was based all have deeply sexual, violent themes and the discriminatory language and behaviour which leads to murderous violence against Jews within the narrative has clear historical origins. In fact, the author has a section at the end of the book that details the ways in which persecution and pogroms in Dubossary and Kupel affected her family, leading to desperate escape and even death. But instead, this is a story of youthful romance, a happy-ever-after tale of first kisses and forever love. It’s not what I was expecting or wanting. Instead of Grimm’s, this is Disney sanitised, with only the barest hints of the more monstrous reality. It’s a YA tale wrapped up in a beautiful cover, but the marketing to adult readers is going to leave many, including myself, disappointed.

Age Rating 14+. A book more suited to a younger audience. 

Blue Salt Road - Joanne M Harris

"So begins a stunning tale of love, loss and revenge, against a
powerful backdrop of adventure on the high seas, and drama on the land. The Blue Salt Road balances passion and loss, love and violence and draws on nature and folklore to weave a stunning modern mythology around a nameless, wild young man.

Passion drew him to a new world, and trickery has kept him there - without his memories, separated from his own people. But as he finds his way in this dangerous new way of life, so he learns that his notions of home, and your people, might not be as fixed as he believed."

Harris understand storytelling and the deep emotional and moral power of the folk tale tradition. Like all the best artists, she takes the base but makes it wonderfully her own in this rich tale. She takes you there, to the wide strand by the ocean, the poor village, the whaling ships, and into the water itself, to a part of the world where both the Folk and the Selkie live. Although the story centres on one couple, slowly the wider picture emerges of a reality that’s different to anything we imagine at first, yet absolutely believable. Her characters are alive. Their good traits and  their bad; nothing is painted in black and white, not even love. It’s a very human story, as all the best ones should be, one that ends with bittersweet hope, and an unexpected twist. There's redemption and reclamation, along with every shade of emotion, and that, along with a lovingly-told story, is what makes it such a compelling read, with magic treading lightly between the words. 

Overall, a really intriguing story from one of my absolute favourite authors. I love the beautiful way she has with prose and she never fails to take me someplace else. I always feel deeply human after reading her books. This is a story of change, betrayal, forgiveness, identity, belonging, anger, loss and love.

Age Rating 14+ Nothing untoward, a few mild allusions to sex and the horrors of whaling. 

The Discovery of Witches (All Souls #1) - Deborah Harkness

"Deep in the stacks of Oxford's Bodleian Library, young scholar Diana
Bishop unwittingly calls up a bewitched alchemical manuscript in the course of her research. Descended from an old and distinguished line of witches, Diana wants nothing to do with sorcery; so after a furtive glance and a few notes, she banishes the book to the stacks. But her discovery sets a fantastical underworld stirring, and a horde of daemons, witches, and vampires soon descends upon the library. Diana has stumbled upon a coveted treasure lost for centuries-and she is the only creature who can break its spell."

This book genuinely put me into a reading slump. I really tried to persevere, as the plot hooks of what was in the manuscript and what happened to Diana's parents kept me engaged. However, I...I just couldn't anymore and actually had to put it down. Harkness's glacial pacing and repetitive/obsolete descriptions where enough for me to start clocking out. The descriptions of multiple wines, intimate knowledge of Diana's exercise routine and a Wattpad like fascination while wardrobe descriptions padded this book far beyond it's warranted length. I am no enemy to atmosphere, slow pacing or heavy descriptions. I have read my fair share of 19th century novels to fine with that. But none of this description actually does anything, it serves little to no narrative purpose. 

What irritated me the most, however, was Harkness's characterisation. At first, I thought that this book was going to be an intelligent Twilight for grown-ups. The female lead is Diana, is a highly intelligent woman and well respected in her field. She’s also the daughter of two powerful witches who were murdered when she was seven years old. The main character wasn't helpless, thought for herself, didn't immediately adore her bloodsucking, murderous stalker or find his abusive behaviour endearing, and didn't seem interested in losing her entire identity to the first good-looking guy who wanted to eat her. A rebuttal of Twilight, almost.

But no. Despite Diana's increasing Mary Sue-ishness as she develops every witch ability ever known, she must constantly be rescued and protected by Edward, er, Matthew.

Matthew, meanwhile, is a complete jackass. (Excuse my French) Trotting out the obnoxious "pack mentality" trope so often used in "paranormal romance" (a genre that really, really needs to be marked better so that those of us looking for "urban fantasy" won't be blindsided every damn time), Matthew is neatly absolved from all responsibility for his sexist insistence that Diana obey him as her husband and for his volatile, potentially murderous temper if and when she doesn't comply. Who doesn't want a hyper controlling boyfriend that keeps a huge amount of secrets, keeps important information away from you, uses his temper to make you obedient and says, “I might not be able to control myself if you step away” after a first kiss. Diana is the otherwise highly intelligent woman who acts like a child whenever she’s in his presence. She has to be bullied and bated into using her powers, and saved time and time again by Matthew. Despite Matthew’s continual marvelling about how powerful and strong she is, her strength is barely in evidence.

It is really unfortunate. I am a sucker for academic settings (having lived in Oxford myself), urban fantasy and the general aesthetic of this book was wonderful. Large French castles, ancient libraries, large dysfunctional vampire families (wish there was more of that), horse riding. All right up my alley, with the potential to be something really amazing. A fusion of urban fantasy and dark academia. Unfortunately Harkness's characters and pacing completely threw me off. 

Age Rating 16+. Violence, sex, threat, torture (very tame though.)

Sorcery of Thorns - Margaret Rogerson

"All sorcerers are evil. Elisabeth has known that as long as she has
known anything. Raised as a foundling in one of Austermeer’s Great Libraries, Elisabeth has grown up among the tools of sorcery—magical grimoires that whisper on shelves and rattle beneath iron chains. If provoked, they transform into grotesque monsters of ink and leather. She hopes to become a warden, charged with protecting the kingdom from their power.

Then an act of sabotage releases the library’s most dangerous grimoire. Elisabeth’s desperate intervention implicates her in the crime, and she is torn from her home to face justice in the capital. With no one to turn to but her sworn enemy, the sorcerer Nathaniel Thorn, and his mysterious demonic servant, she finds herself entangled in a centuries-old conspiracy. Not only could the Great Libraries go up in flames, but the world along with them."

I enjoyed this book. It was a fun and aesthetically unique fantasy romp. The characters, while not unique in their archetypes, where funny, relatable and loveable. Rogerson's dialogue between protagonists is witty and suitably banter-y. Nathaniel Thorn was easily my favourite character being wonderfully sarcastic and also bisexual. Yay representation! Rogerson's writing is also brilliant. Her rendering of scenes left me breathless with detailed images in my mind that I would want to paint if I had any artistic skill. Small interactions deepen characterisation and there are many imminently quotable passages, with much of Silas's dialogue being truly terrifying.  

Plot wise, it was predictable, which is not exactly a bad thing and there were enough plot twists to keep me engaged. The concept of this book was astonishing, the world building was interesting and truly the selling point. The atmosphere of the Libraries, the steampunk world, the statues coming to life, ladies with swords down their dress, demon footmen. Just impeccable. All of it was just excellent. 

However what let me down was that some plot elements just weren't explained, or explained really really badly. I mean the reason that the books listen to Elisabeth, the big reveal...is because she grew up in a Library. That's it. All the previously murderous books suddenly treating her like she is a beloved niece...is because she grew up in a Library...I am sorry but what! That is such a boring and lazy reason and it really felt like Rogerson didn't really know what to say. 

I appreciated the unique concept and world that she tried to convey. I was aware of her intentions and inspiration with the whimsical world building, snarky love interest, secretly soft demon, etc. Unfortunately there was no romantic chemistry between the couple at all, (they felt like siblings to me), and the villain is one-dimensional and moustache-twirling. There are definite merits to this book and I appreciate the effort to create a unique type of fantasy story, and while it wont win any awards, it was fun and enjoyable. 

Age Rating 14+ Nothing untoward. Some low level fantasy violence and kissing. 

Gods of Jade and Shadow - Silvia Moreno-Garcia

"The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning
the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own.

Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it—and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother. Failure will mean Casiopea’s demise, but success could make her dreams come true.

In the company of the strangely alluring god and armed with her wits, Casiopea begins an adventure that will take her on a cross-country odyssey from the jungles of Yucatán to the bright lights of Mexico City—and deep into the darkness of the Mayan underworld."

This is my first book by Moreno - Garcia. I have heard a lot about her work, especially as I am some one who enjoys the rather nebulous category of magic realism. I must say that I enjoyed the way that Moreno - Garcia writes, with some truly wonderful descriptions and prose, however I found the characterisation and plot deeply lacking. 

Gods of Jade and Shadow had a great beginning. Martin, Casiopea, and her grandfather were all initially well depicted, and then I just wanted to go to sleep. It began to get tedious VERY early on in the story, and I was bored before she even introduced Hun-Kame, the Mayan God of Death. He brought about some respite from the slow movement, but not for long. The jazz era twist was a great idea but it leant nothing really to the story, it didn't further the plot or the conflict in Casiopea. 

I wanted so much more from this. I wanted to know more about the culture, the magic, folklore, stories of the Mayan culture. I wanted to explore the social dynamics of 1920's Mexico. What was it like? What was it like to be indigenous? Did some people keep their old religion or had it been completely lost to Catholicism? How did the flapper movement seem to a highly religious people? It wasn't a horrible book, but it definitely do justice to the wealth of Mayan or Mexican culture. 

I understand why many people think that this is a YA rather than an Adult book as it certainly reads like a YA, with the plot skimming over much of the deeper themes that I was expecting. I was hoping/ expecting the book to explore the conflict between Cassiopeia's identities and religion. I wish this had been further explored, more of Casiopea questioning her upbringing and the Catholic way of doing things when confronted with a Pagan god. How would their moral be similar or different? I wanted Casiopea to have more conflict around her mixed identity and come to realise how beautiful her indigenous heritage is through her interactions with Hun - Kame. However none of this is ever explored leaving the characters feeling flat and the plot had no emotional stakes whatsoever. I couldn't care for these characters or become invested in their journey. 

However all that said, I would give Moreno-Garcia's work another go as I enjoyed her writing style.

Age Rating 15+. Some light familial bullying. 

The Guinevere Deception - Keirsten White

"A new fantasy series set in the world of Camelot, re-imagining the
Arthurian legend . . . where nothing is as magical and terrifying as a girl.

Princess Guinevere has come to Camelot to wed a stranger: the charismatic King Arthur. With magic clawing at the kingdom's borders, the great wizard Merlin conjured a solution--send in Guinevere to be Arthur's wife . . . and his protector from those who want to see the young king's idyllic city fail. The catch? Guinevere's real name--and her true identity--is a secret. She is a changeling, a girl who has given up everything to protect Camelot.

To keep Arthur safe, Guinevere must navigate a court in which the old--including Arthur's own family--demand things continue as they have been, and the new--those drawn by the dream of Camelot--fight for a better way to live. And always, in the green hearts of forests and the black depths of lakes, magic lies in wait to reclaim the land."

I'm surprised that this book didn't work for me as I am a huge fan of White's And I Darken Trilogy. I also love Arthurian mythology and White's feminist spins on old tales, so what could go wrong?

Firstly, I think this book kept us in the dark for way too long. (It kind of is still keeping us in the dark as not much is actually resolved.) So long that it became uninteresting for me. All we know is that Guinevere is not the real Guinevere but a changeling witch, sent by Merlin to protect King Arthur. We spend so long not really knowing where the story is going, no plot direction, no tension what so ever. Guinevere's goal of protecting Arthur feels open-ended and not tied to any real conflict. This means that she spends a lot of time wandering around, chatting with familiar characters like Mordred and Brangien, and not doing much of anything. I actually had to stop reading half way through and go read something else I was that bored.

Even when a touch of drama appears, Guinevere is hurried off to safety. She is in no way strong or independent or bad ass and she uses so little magic she probably would have been better without it. If anything she was the complete opposite of empowering, being painfully useless the entire time. If the growing romance/s was supposed to be the main point of tension, I didn't really get a sense of that. Arthur was so bland and forgettable (though unfortunately all the characters were). This story and all of the characters where lacking the gritty realism and complex morality of White's other books. 

I also did not feel like this story was taking place in the 5th-6th centuries. There was very little to capture the feeling of the time and place, which is the exact opposite of what I would say about the author's And I Darken trilogy. I guess I also just don't believe that feminism is rewriting history to pretend sexism didn't exist, which it felt like this did. The way women are treated felt untrue to the times.

Overall a very disappointing book by a much loved writer. 

Age Rating 13+. I really can't think of anything untoward in this book. 

Holy Fools - Joanne Harris

"In the year 1605, a young widow, pregnant and alone, seeks sanctuary
at the small Abbey of Sainte Marie-de-la-mer on the island of Noirs Moustiers off the Brittany coast. After the birth of her daughter, she takes up the veil, and a new name, Soeur Auguste. But the peace she has found in remote isolation is shattered five years later by the events that follow the death of her kind benefactress, the Reverend Mother.

When a new abbess -- the daughter of a corrupt noble family elevated by the murder of King Henri IV -- arrives at Sainte Marie-de-la-mer, she does not arrive alone. With her is her personal confessor and spiritual guide, Père Colombin. A man Soeur Auguste, with secrets of her own, knows all too well and the one man she fears more than any other."

A gorgeous, compelling story set in mediaeval France, Holy Fools has all the ingredients I love in Joanne Harris’s books. There’s a strong, complex heroine with pagan inclinations, a flamboyant villains, a gothic setting, a rich luscious atmosphere and a lot of less than comfortable reflections on the human condition. Harris has a very warts and all approach to portraying people. She doesn’t tend to do clear lines between the wholly good and the wholly bad, and I love this about her work.

First thing first, I adored the overall feel of this books. It's sets, atmosphere, themes and general aesthetic was wonderful. It truly felt unique and rich, something that could easily be translated into a beautiful movie. 

One of the themes running through this novel is that way in which people are often complicit in their own oppression. In trying to please the oppressor, and trying to avoid punishment, we give other names to the witch hunter. We accuse someone else to take attention from ourselves. So often what is called for in oppressive scenarios is a banding together to fight off the tyrant. If there’s one tyrant and many people being mistreated, weight of numbers should fix it, but often it doesn’t. Instead, in trying to protect ourselves, we uphold evil systems and support those who abuse us. It was also a fabulously interesting exploration of the fusion of religious mania, trauma, female repression, redirected sexual need and guilt complexes. 

However, I did have a few problems with this book. First of all was a relationship between Juliette (Soeur Auguste) and her daughter fell flat. The daughter is less an actual person then a plot device, which, unfortunately, completely emotionally undercuts the weight of the story. I also found the relationship between Juliette and Le Merle deeply frustrating. (SPOILERS) For a book supposedly so strongly about female empowerment, strength and sisterhood I found the ending thematically confusing. Le Merle has out right emotionally and physically abused Juliette, once even pimping her out without her consent leading to her being raped. I understand having a dark emotional connection, a sort of deep understanding of each other's darkness, and I truly love these relationships being explored. But I don't think it was in character for Juliette to consent to be with Le Merle, nor should she. While she might have had a special bond with him, this doesn't mean that it would be healthy for them to be anywhere near to each other. 

Age Rating 15+. Some sexual elements but only alluded to really. Small acts of violence. Death, suicide, religious mania and forced exorcism. 

Ninth House (#1) - Leigh Bardugo

"Galaxy “Alex” Stern is the most unlikely member of Yale’s freshman
class. Raised in the Los Angeles hinterlands by a hippie mom, Alex dropped out of school early and into a world of shady drug dealer boyfriends, dead-end jobs, and much, much worse. By age twenty, in fact, she is the sole survivor of a horrific, unsolved multiple homicide. Some might say she’s thrown her life away. But at her hospital bed, Alex is offered a second chance: to attend one of the world’s most elite universities on a full ride. What’s the catch, and why her?

Still searching for answers to this herself, Alex arrives in New Haven tasked by her mysterious benefactors with monitoring the activities of Yale’s secret societies. These eight windowless “tombs” are well-known to be haunts of the future rich and powerful, from high-ranking politicos to Wall Street and Hollywood’s biggest players. But their occult activities are revealed to be more sinister and more extraordinary than any paranoid imagination might conceive."

I really enjoyed this book, it was right up my alley. Secret Societies, Old Universities, Magic and Academia, Ghosts, Magic Tattoos, Tradition and the "Old Boys Club" being infiltrated by someone who definitely doesn't traditionally belong there. It was a bit slow to start but I, personally, enjoy slower paced books. Bardugo's atmosphere building is top notch and her plot kept me guessing and interested. There are also some really stunning writing/ aesthetic moments that, if I had any drawing skills, I would love to draw. The dialogue was fun and snappy. The character's a good mix of cliché and unique. 

I am not very fond of Alex’s character just yet, she’s indeed a hard girl to love but I think she might grow on me after a while. I already love her wits and confidence so I just need another push to be sure I love her.

I feel that Leigh Bardugo definitely seems more suited to writing more adult slanted content. There is no YA, which seems to have come to mean tweens and up, content here, okay. This really is young ADULT. 

If this book is one thing, it's violent. There are some graphic scenes that show sexual abuse, rape, drug addiction and the sexual abuse of minors. There is trauma and pain and it's not glossed over. That said, it isn’t the grimmest, or bleakest book I’ve ever read. In fact, Bardugo sometimes tries too hard for big, dramatic horror, and the violence comes off as gratuitous, her ghosts sometimes too chain-rattling to believe. Ninth House is about all kinds of trauma, yet I found that the consequences of such a monumental thing are barely brushed upon. The novel is rife with flashbacks, seen through Alex’s eyes as she passively witnesses the horrifying events of her past, but her trauma-suppressed memories seemingly only resurface whenever it's convenient for the plot, and without much of a statement being made besides. And that occasionally struck a sour note.

There’s a lot going on in this book. It is something hard to get into because the beginning is extremely confusing. The action is quite slow and not necessarily that complex, but somehow, until the end, there is something there. Something that leaves you thinking that you actually really enjoyed it. I am keen to read the second instalment when I think the magic aspect of the series will also come into it's own and we will get a better understanding of the characters. 

Age Rating 17+. As said above, quite a brutal book that includes no small amount of abuse. 

The Betrayals - Bridget Collins

 "If everything in your life was based on a lie

Would you risk it all to tell the truth?

At Montverre, an exclusive academy tucked away in the mountains, the best and brightest are trained for excellence in the grand jeu: an arcane and mysterious contest. Léo Martin was once a student there, but lost his passion for the grand jeu following a violent tragedy. Now he returns in disgrace, exiled to his old place of learning with his political career in tatters.

Montverre has changed since he studied there, even allowing a woman, Claire Dryden, to serve in the grand jeu’s highest office of Magister Ludi. When Léo first sees Claire he senses an odd connection with her, though he’s sure they have never met before.

Both Léo and Claire have built their lives on lies. And as the legendary Midsummer Game, the climax of the year, draws closer, secrets are whispering in the walls…"

This is an extremely atmospheric novel, with the abstract concept of the grand jeu, a tragic death, a nefarious government party, and elusive characters all vying for interest. There is a mysterious feeling to everything and Collin's prose is deeply beautiful and highly readable. The books main focus seems to be on the characters, which I'm not quite sure was the best decision, as this leaves the multiple outside forces not fully explored, and the story was hindered because of it.

The 'grand game' is a complex mix of music and math, philosophy, religion, and life itself, understood by the reader only in the abstract. Unlike us, the students and teachers at Montverre feel the power of the game, working to create the most intricate or clever version in competition with each other. So central is this process of creation that the game becomes more important than any character in the novel.

But its inherent emptiness and incomprehensibility is alienating, and while that's a perfectly apt metaphor for the themes in the book, it's going to leave a lot of readers dissatisfied. There's so much mystery shovelled into this book that it seems to burns all, or at least much, of the emotion out. The Grand Jeu (no real explanation given), the Rat (evidence of a past mystery and a mystery in itself), the Party (some kind of fascist government who want something abstract from the game, the school, and apparently to persecute Christians.)All of these mysteries are left unexplored or only very lightly touched on. 

The romantic element was disappointingly resolved, a beautifully depicted and unconventional relationship developed in the first half of the book turned quite mundane by the end. I did like the mystery's conclusion and the small amount of bi representation that it afforded us. 

That being said, I just could not put this book down. Something about it sucked me in and kept me engaged. I think the writing has such a charming and enveloping nature to it, that I didn't want to stop reading it.

Definitely not as good as BCs debut novel, in my opinion, but still worth reading.

Age Rating 17+ Sex, abuse, suicide, mental illness, prejudice. 

Raybearer - Jordan Ifueko

"Tarisai has always longed for the warmth of a family. She was raised
in isolation by a mysterious, often absent mother known only as The Lady. The Lady sends her to the capital of the global empire of Aritsar to compete with other children to be chosen as one of the Crown Prince’s Council of 11. If she’s picked, she’ll be joined with the other Council members through the Ray, a bond deeper than blood. That closeness is irresistible to Tarisai, who has always wanted to belong somewhere. But The Lady has other ideas, including a magical wish that Tarisai is compelled to obey: Kill the Crown Prince once she gains his trust. Tarisai won’t stand by and become someone’s pawn—but is she strong enough to choose a different path for herself?"

I am conflicted about this book. Taking into account this is a debut novel I am really really impressed and I am looking forward to seeing more from this author as she grows. I really wanted to love it and part of me did. I loved the mixing of different cultures and the African setting. It is unique, individual, and I am thrilled by the explosion of POC fantasy books on the market. It’s just really great seeing new authors telling stories about their cultures. The book mixes cultures that took inspiration for Africa, France, Korea, China all mixing and merging was beautiful. It was also interesting to think about a world where the African continent was the most powerful and how would that make our own world look. 

It was also an interesting critic on colonialism and the dangers of unity rather than equality that never turned didactic. Ray bearer is a novel that understands empire’s tremendous and insidious power. That they can eat holes into the bulwarks of many cultures, destroying entire edifices, and it can be very, very convincing while it destroys them. I wondered again—for the thousandth time—if that is the truest death: being slowly rendered invisible. 

The actual writing style had some really lovely moments and I felt grounded in the story's setting and tone. 

I also enjoyed the asexual representation however it was blink and you'll miss it. I wish that was explored more.

However something was missing for me in the book as a whole. 

I wish there was an exploration of polyamory. I genuinely thought that was where this book was going to go from the opening scenes and the blurb and I was excited to see and explore that dynamic. However, it turns out that most of the characters split off very neatly into couples. I think this is unlikely. If you are all telepathically connected, have been together since childhood, and literally sleep in a puppy pile of the floor every night...well.

On that note I really wanted more interactions between the people in the Ray. We only know Sanjeet, Dayo and Kirah. I can't even remember the names of the rest of them. There is one sweet scene where the girls are having their hair braided...but that was it. I really felt that is undercut the emotional depth of the book. One of the main themes of the book is Tarisai finding her "found family" where she can be loved and excepted, but then we get no sweet family interactions, it was disappointing and a waste of potential. The other cultures aren't fleshed out enough either to ground the characters, some are literally boiled down to ohh Chinese name, farm rice. Right... just feels lazy. 

The main antagonist, "the lady" was unfortunately less then terrifying. It was hard to relate to Tarisai's fear of her.  It felt like the author was trying to get across she had the potential to be a good person, but through the evils of patriarchy she became evil. I mean...sure not being appreciated and abandoned can make us do terrible things but raping a man, abusing your daughter and trying to kill a child. Well, I think that's just you, not the patriarchy. Thus the Lady trying to garner sympathy honestly just sounded like a delusional user.

The plot was all over the place. I was hooked the first third. It was gripping and made sense and was full of life. Then it slumped for the second third. It felt like a chore to keep reading at points and I had to take a break from it, which I almost never do. I felt like the author brushed over meaningful events that would have been interesting to explore, and focused on things that weren’t very interesting. Furthermore, throughout the story it felt like certain events just conveniently happened in order to drive the plot forward.

 The entire Redemptor arch felt very tacked on and just didn't seem to sit well with the rest of the book, it was introduced to late and had no grounding. The climax(es?) were meh. Things finally started to pick up again in the final third of the book, and I was back into it. There were a few interesting twists and a good climax that seemed to occur a little early in the book .... but then there were like 50 more pages of confusion ... and another climax that I was not expecting at all. It set the book up to continue the series, but it was just so jumbled and really left me uninterested in the direction of the series. 

I think overall this book would have been much better if it had slowed down with the plot, taken time to flesh out the characters, dynamics and world building more. Give us small personal moments with the other people in the Ray. Show us why they all love Tarisai, show us why she loves them. Display the characters different cultures and how they interact with each other. This could have been a large scale, epic, sweeping novel spanning continents with rich and lush cultures.

Age Rating 15+. Nothing untoward, some vague allusions to sex. However the rape that the Lady performs, while off page still isn't appropriate for younger audiences. 

Tithe (#1) - Holly Black

"Sixteen-year-old Kaye is a modern nomad. Fierce and independent, she
travels from city to city with her mother's rock band until an ominous attack forces Kaye back to her childhood home. There, amid the industrial, blue-collar New Jersey backdrop, Kaye soon finds herself an unwilling pawn in an ancient power struggle between two rival faerie kingdoms - a struggle that could very well mean her death."

Yes, Yes I know. Another Holly Black. I am just a sucker for her description of Fae. So first of all, on the good side… the fairies . The way Holly Black draws her fairy worlds and fairy characters is genuinely so imaginative, gorgeous, and… creepy. Every time I dive into one of her books, I find myself both terrified and enamoured with her fairy world. Holly Black always knocks the fairy stories out the park. Tithe is a raw, dark faerie tale in keeping with Black's usual style. While not suitable for younger readers (lots of swearing, torture and violence, and mature themes), I loved its take on the darker side of faerie. Black's understanding and vision for Fairies is excellent and is exactly how I imagine them.  It also deals with faerie themes like Changelings and the knowing of one's True Name very well. 

Roiben had a lot of potential. The idea of being trapped in a different court, sent there by your beloved Queen where she knows you will be humiliated and tortured, but can do nothing about the terrible things you are made to do because they have your true name and have to do everything they say. I mean how absolutely horrific. However he did need to be fleshed out more as he did feel a little one dimensional at times. 

Kaye, though, is a bit of a blah main character. I found that she was one of those early YA protagonists who’s written just generic enough that she’s easy to make into a self insert, but at the cost of an engaging motivation or quirky personality. Cool outfits do not a character make. I think this book really suffered from being so short, and I mean it is really really short. The characters don't have time to be developed, and neither does the romance that is probably one of the worst Insta-loves I have ever come across. I just don't see how these two characters could fall for each other - especially in such short amount of time. Kaye saw Roiben once and fell instantaneously in love with his ... hair?  I mean, they know each other for 4 days max, have nothing in common, never really have a heart to heart talk to make us understand what attracts them to each other. 

It dallied with some themes but didn’t stick with them in any meaningful way. I find Black’s work tends to do this often. I’ve never read something by her that had anything to it. It’s all aesthetic for aesthetics’ sake, which is fine but undeniably tiring after a while. A quick, light read with plenty of beautiful descriptions. 

Age Rating 16+ Surprisingly high rating, drugs, sex with dubious consent, domestic abuse, swearing, minor's having sex, torture and humiliation. Other than that,
though completely fine. 

Winter Rose - Patricia A McKillip

"Sorrow and trouble and bitterness will bound you and yours and the
children of yours...

Some said the dying words of Nial Lynn, murdered by his own son, were a wicked curse. To others, it was a winter's tale spun by firelight on cold, dark nights. But when Corbet Lynn came to rebuild his family estate, memories of his grandfather's curse were rekindled by young and old - and rumours filled the heavy air of summer.

In the woods that border Lynn Hall, free-spirited Rois Melior roams wild and barefooted in search of healing herbs. She is as hopelessly unbridled - and unsuited for marriage - as her betrothed sister Laurel is domestic. In Corbet's pale green eyes, Rois senses a desperate longing. In her restless dreams, mixed with the heady warmth of harvest wine, she hears him beckon. And as autumn gold fades, Rois is consumed with Corbet Lynn, obsessed with his secret past - until, across the frozen countryside and in flight from her own imagination, truth and dreams become inseparable..."

This was my first McKillip book, and I'm just a little disappointed actually. From the first pages, I thought it was going to be a combination of beautiful writing, fantasy with a solid plot and well developed characters. I'm afraid it only delivered the beautiful writing, and couldn't just hook me to the rest of the story.
It's a very slow going book, with lots of descriptions, and atmosphere. Which is absolutely fine if well executed, but there should have been a bit more balance for a more plot or better set up for fantastical elements.

However it could be argued that is sparseness in characterisation and plot was a literary choice on McKillip's part. The book does feel exactly like an old fairy-tale your mother would tell you. Simple, beautiful and slightly incomprehensible. If you just relax into the book and don't try to understand it, I think it would improve your reading experience. 

There is much to admire in this book: some beautifully lyrical, poetic writing, especially of dreams and visions and mysterious moments of two worlds intermingling. But ultimately it is undermined by a climax that remains too elusive, abstract and muddy (featuring dialogue that suddenly becomes jarringly melodramatic) and a general feeling that the poetic prose is keeping the emotional heart of the story at arms’ length.

I am still interested in reading more of Patrica A. McKillip’s work, since she is clearly gifted, has a rich imagination and the ability to paint beautiful pictures with her words. Her focus on fairy-tale and folklore, while keeping much of the traditional style of the old stories, is also right up my street. 

Age Rating 13+. Nothing untoward. An illusion to child abuse. Might struggle with comprehension but hey so did I. 

The Sisters Grimm - Menna Van Praag

"Once upon a time, a demon who desired earthly domination fathered an
army of dark daughters to help him corrupt humanity . . .

As children, Goldie, Liyana, Scarlet, and Bea dreamed of a strange otherworld: a nightscape of mists and fog, perpetually falling leaves and hungry ivy, lit by an unwavering moon. Here, in this shadowland of Everwhere, the four girls, half-sisters connected by blood and magic, began to nurture their powers together. But at thirteen, the sisters were ripped from Everwhere and separated. Now, five years later, they search for one another and yearn to rediscover their unique and supernatural strengths.

To realize their full potential, the sisters must return to the land of their childhood dreams. But Everwhere can only be accessed through certain gates at 3:33 A.M. on the night of a new moon. As Goldie, Liyana, Scarlet, and Bea are beset with the challenges of their earthly lives, they must prepare for a battle that lies ahead. 

They have thirty-three days to discover who they truly are and what they can truly do, before they must fight to save themselves and those they love."

The concept for this story is fantastic, fallen star soldiers, elemental sisters, dreamscapes and misty Cambridge nights.  Unfortunately we are never given enough explanation to make the story understood. As a matter of fact, a lot of things are not explained at all. This leaves the world feeling flat. 

I also found myself disappointed. When I pick up a book with Grimm in the title, I have fairy tales, red hoods and thick German forests come to mind. However we get nothing that even closely resembles anything thing to do with Grimm other than Liyana occasionally likening her sisters to fairy-tale characters. 

Sisters Hecate would have made more sense. 

And as for Wilhelm Grimm... I am still confused as to his character. Is this one of the Grimm brothers turned demon (somehow?), or is this a demon/devil who happens to be named Grimm and commands all of these girls who have something to do with fairy tales? His existence, as is the brief and repetitive view that we get of Everwhere, are not expanded enough for me to feel any impact from this character or setting.

Unfortunately this disassociation from the characters was also true for the girls. I felt very little for them. I think it was due to the constant POV change, as soon as I was really getting to know them I was whisked away. I also have a small gripe that kept on dragging me out of the story. All of this girls are supposedly 17, about to turn 18. That's a large plot point. But they all act well into their 20s? Bea is studying at Cambridge and is having an affair with her Teacher?? I mean... really ...at 17?? Goldie as well is still a minor, yet is the sole guardian to her brother yet they never comment on having to hide that fact to avoid child services. All the girls have sex like bunnies with seemingly grown ass adult men, I mean. It was just really odd to me.

The plot style is definitely up to preference. It moved and unfurled achingly slowly. All of the action is crammed into the last chapter, with the sisters only meeting right at the end. Throughout this novel, I felt that I was ambivalently moving along while waiting for action to jump into the moment, any moment, and save the day. It never really does. The constant jumping back and forth from past to present without any Then vs Now made for an uneven, bumpy switch in narrative.

When we eventually get some action, the sisters defeat of their father is lacklustre and unbelievable. These girls have a spark of magic that grows and forms mostly in dreams, and suddenly it is all re-awoken, embraced and used so very knowledgeably.

I would have really enjoyed this novel if it had been longer, the girls meet in the middle of the book and started training then, and there was way more world building. 

The writing itself is very good, and I am thankful for it.  I would be interested to pick something else up by this author, purely from the writing and unique concepts. But I was far too confused in things that I wanted more understanding of, as well as lacking any real investment in the characters and the pace at which they moved, to be fully immersed and enjoy the tale.

Age Rating 16+. Sex, sexual abuse of minors, murder. 

The Queen of Nothing (#3)- Holly Black

"Power is much easier to acquire than it is to hold onto. Jude
learned this lesson when she released her control over the wicked king, Cardan, in exchange for immeasurable power.

Now as the exiled mortal Queen of Faerie, Jude is powerless and left reeling from Cardan’s betrayal. She bides her time determined to reclaim everything he took from her. Opportunity arrives in the form of her deceptive twin sister, Taryn, whose mortal life is in peril.

Jude must risk venturing back into the treacherous Faerie Court, and confront her lingering feelings for Cardan, if she wishes to save her sister. But Elfhame is not as she left it. War is brewing. As Jude slips deep within enemy lines she becomes ensnared in the conflict’s bloody politics.

And, when a dormant yet powerful curse is unleashed, panic spreads throughout the land, forcing her to choose between her ambition and her humanity…"

Was this series the most perfectly-plotted? The most unique? Did it break any new ground? No to all of the above. But I read every page of this with my heart pounding and a lump in my throat-- how many perfectly-plotted, unique and ground-breaking books can I say that about? These series really has been a wonderfully guilty pleasure. 

I was waiting with baited breath to see how Holly Black finished this series, especially with Wicked King being on top form. The Queen of Nothing was...not that. Don't get me wrong, I ate it up. It was fantastic. But it did not quite compare to what came before. 

I think I can tell you exactly why: the book was too short. All three books were very fast-paced. That's part of their magic. They don't give you time to breathe. But with this one I often wished Holly would slow down, focus more on the details, set the scene, make me feel the atmosphere and tension. I fear that that's why a certain character literally fell victim to negligence. I did not wait two books for Locke to die a very painful death for him to just die between two books without me being able to witness it. I deserved that. Taryn, too, never actually receives the absolution or punishment she needed. She was this complex, unpredictable character. Until she wasn't. She became nice, docile even. Her character arc was thrown out of the window.

I felt that Jude, someone who's entire character and character arch has been about revenge becomes far too forgiving. Madoc may have been punished but in a very unpunished way. I wanted someone to suffer! I wanted Jude to her usual brutal self. 

I also needed more of Jude and Cardan's relationship; they went from supposed enemies to sleeping together seemingly out of the blue, then the main event happened and then the super cheesy ending. Not much was shown in  how their relationship is actually going to work. These two characters that have been supressing their love and struggling with extreme guilt about their attraction to each other now are going to be a cutesy normal couple. Jude, a brutal vengeful solider and Carden, the most debauched and cruel Fae?? Really?

These books have been a guilty pleasure for me and I have been imagining so many wonderful and awful ways it could end. I wasn't disappointed. It was thrilling, and mostly satisfying. There where areas that I had issues with and I do feel that it lacked the emotional impact or nuance that the other books did. However, saying that I did thoroughly enjoy it. 

Age Rating 16+. Sex, death and torture. 

The War for the Oaks - Emma Bull

"Eddi McCandry sings rock and roll. But she's breaking up with her boyfriend, her band just broke up, and life could hardly be worse. Then, walking home through downtown Minneapolis on a dark night, she finds herself drafted into an invisible war between the faerie folk. Now, more than her own survival is at risk—and her own preferences, musical and personal, are very much beside the point.

By turns tough and lyrical, fabulous and down-to-earth, War for the Oaks is a fantasy novel that's as much about this world as about the other one."

I had high hopes for this book. It sounds like it should be just up my street...however...it was OK, just OK. The narration is somewhat annoying occasionally, which makes the characters somewhat annoying, but the action sequences make up for that. I can't fault this book too much, since it's the first of its kind and therefore, like most pioneering writing pieces, reads more like a lengthy writing exercise. 

The book certainly does have it's good points. The music scene backdrop was fun and at times refreshing; The 80s fashion is hysterical; the Fae had an amazing otherworldly feel to them which was wonderful to read about; the aesthetic is fabulous; side characters where lovable; and the prose itself was skilfully written. 

But for me, it always comes down to the characters. I couldn’t feel any attachment to them… and therefore I had no emotional engagement whatsoever with this book. Phouka was my favourite character as I felt that he had that great mixture of bravado and confidence, with insecurity and doubt. It is unfortunately Eddi I  had a problem with. She has little to no personality other than snark. I mean, personally, if I have just found out powerful ancient Fae exist and one is sitting in my lounge, I would wait a bit to figure out the world before straight up insulting and backtalking him. But that's just me. She isn't a terrible protagonist, but she needed to be fleshed out more to get me to relate to her. Show me that her snark is her way of dealing with stress, a coping mechanism. That kind of thing. 

I also felt the novel was slowly-paced. This isn’t always a bad thing depending on the story, but in this case it often seemed like a chore just to push through to the next chapter. There was little exploration into the Fae or their world and instead chapters of well not much happening. The reason for Eddi to be involved is also tenuous and not fully explained or developed. I liked the idea for the reason she had to be there, it felt very unique but lack explanation.

Age Rating 15+. Murder, threat, sexy times. 

Ariadnis - Josh Martin

"Back then I thought that if it weren't for that cliff, our cities
would be one and there would be no need for all this fierceness toward each other. But then I learned about pride and tradition and prophecy, and those things are harder than rock.

Joomia and Aula are Chosen. They will never be normal. They can never be free.

On the last island on Erthe, Chosen Ones are destined to enter Ariadnis on the day they turn eighteen. There, they must undertake a mysterious and deadly challenge. For Joomia and Aula, this means competing against each other, to end the war that has seethed between their cities for nine generations.

As the day draws nearer, all thoughts are on the trial ahead. There's no space for friendship. No time for love. However much the girls might crave them.

But how you prepare for a task you know nothing certain about? Nothing, except that you must win, at whatever cost, or lose everything."

This book turned out to be nothing like what I was expecting it to be. 

There is a lack of information at the start of the novel, unfortunately that was frustrating and I nearly stopped reading. I was confused about what exactly was happening, what the Wise One was, why there are Chosen Ones, where the past Chosen Ones are, why they were competing, for longer than I should have been. But soon enough the explanations start to roll in and the bizarre yet beautiful ideas behind Ariadnis come to the fore.

The writing itself is lovely; there is a touch of slang to give it character, the girls both have distinct voices and personalities, and Martin manages to utilise time skips really well. I personally really didn't like the slang at the beginning, I found it distracting. However Martin doesn't over use it and it actually helps demonstrate the difference between the two characters personalities. 

The world building was interesting and incredibly unique. A vine treetop city, sentient owls, metal wrapped trees, prophets with shining tears, singing tree spells. I can truly say I haven't read anything that feels similar. The conflict is centred between a patriarchal, technology based city and a equalist, nature based city. I am interested to see how Martin will further explore this dynamic in his second book, as it is only lightly touched on here. 

I also really enjoyed the diverse cast. There are many POC characters, actually being the norm now in the amalgamated cities where past cultures have ceased to be separate. There are also plenty of bisexual characters, and it is just treated as completely normal, which was so surprising and absolutely wonderful. 

I thought the characters themselves were really nicely realised. The bold, impetuous Aula and the sensitive, unsure Joomia both stood out, and I loved their magical powers. Taurus was a great best friend and a moving character in his own right. Ade, the mad prophet was also one of my favourite characters and I loved her. 

However there are a few minor criticism I'd level at this book. It did get confusing from time to time, especially when other characters' prophesies were revealed. There were a few times I had to dip back a few pages to check I was following what was going on! There are also quite a bit that is left unexplained like where are the past Chosen Ones. Where people really going mad when they left or was that a conspiracy? why was Ade the only Chosen one in her generation for both cities?

Also, I wasn't quite sure all the swearing was necessary as it didn't serve much purpose. The same goes for the amount of talk about sex. These girls are supposed to be 17 and it just felt incongruous. Everyone, even in the middle of an awful and emotional situation is thinking about sex. It just didn't feel realistic and actually brought me out the story a few times. There is one scene where Aula, one of the Chosen One's mother figure has just died, and all Aula can think about is how much she ones to sleep with this dude. I mean, your emotional loss obviously isn't that bad then and I no longer really empathize with you. 

Age Rating 16+ Because of aforesaid sex and swearing. 

There will come a Darkness - Katy Rose Pool

"The Age of Darkness approaches.

Five lives stand in its way.
Who will stop it... or unleash it?

For generations, the Seven Prophets guided humanity. Using their visions of the future, they ended wars and united nations―until the day, one hundred years ago, when the Prophets disappeared.

All they left behind was one final, secret prophecy, foretelling an Age of Darkness and the birth of a new Prophet who could be the world’s salvation . . . or the cause of its destruction. As chaos takes hold, five souls are set on a collision course:

A prince exiled from his kingdom.
A ruthless killer known as the Pale Hand.
A once-faithful leader torn between his duty and his heart.
A reckless gambler with the power to find anything or anyone.
And a dying girl on the verge of giving up.

One of them―or all of them―could break the world. Will they be saviour or destroyer?"

This is a strange book. So much happened, and yet… nothing actually happened??? The way I see it, this book was a long introduction to a story that is yet to actually come.

It book follows five different POVs. Five seemingly unconnected people with five different goals and five different plot lines. However you soon start to see how they interconnect and link with each others lives. 

Honestly this book is a masterclass on how to write multiple POVs correctly. More often than not, when several main characters are present, all with their own POV/chapters, things can go downhill. The plot gets easily lost and confusing, some characters get developed better, others end up being unlikable, some POVs are slower paced and more boring than others, etc. the list can go on. But this is the first story where I enjoyed every character and there is no POV that is lacking. Each perspective helps the plot instead of hinders it.

I also really enjoyed the Roman inspired setting, a setting honestly not used enough in Fantasy. However I did find this section of the world building odd, they have trains yet the rest of the world building feels very ancient, there are paladins with swords for goodness sake. It threw me a bit, one second I was imagining everyone in togas and then trains, which means a whole different aesthetic to me, like Roman steampunk... I hope that gets dived into more.

The characters are diverse with plenty of POC and even some LGBT representation, which was handled well. It wasn't spotlighted or made into a major plot point, just kind of like yeah why wouldn't these people be here. So the right why to go about writing a diverse cast. I also hope we find more about the characters different cultures as they all seem to come from countries modelled on vastly different cultures, it would be interesting to see if that is explored. 

This is the book where the world and the characters are set up but where nothing much happens plot-wise. We got introduced to all the major players and plotlines and then are left hanging, waiting for the sequel. 

The main villain, The Hierophant, is talked about constantly and yet we meet them in the last 15% of the novel for two scenes in which they do nothing that lives up to all the talk we’ve heard of them. Even the prophecy that connects all the characters and drives the plot forward has no real bearing in this specific book. It’s just sort of there to serve as a plot device.

Even the characters are just introduced. We only know the basics of them. We’ve yet to dive deep into their minds and see them as their truest selves. Basically, this book was the preview. Still, in spite of all that I just said, I actually enjoyed the story.

It was easy to read through, the writing was pacey and fun. It was interesting and I liked seeing the prophecy come together as the story went on. I did call a lot of the plot twists but there were definitely a few that I didn’t see coming and I appreciate that.

The characters were all interesting, even Hassan that I didn’t love, and I can’t wait to read more about them and see how the prophecy unfolds.

This might have just been the introduction, but I am excited to see what comes next in the sequel when Pool can really get into her stride. 

Age Rating 14+. Abuse, murder, large scale death.