Showing posts with label Asian Fantasy. Show all posts
Showing posts with label Asian Fantasy. Show all posts

Monday, 17 January 2022

The Iron Widow - Xiran Jay Zhao

"The boys of Huaxia dream of pairing up with girls to pilot
Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn't matter that the girls often die from the mental strain.

When 18-year-old Zetian offers herself up as a concubine-pilot, it's to assassinate the ace male pilot responsible for her sister's death. However, through an unexpected incident, she is labelled an Iron Widow, a much-feared and much-silenced kind of female pilot. 

To tame her unnerving yet invaluable mental strength, she is paired up with Li Shimin, the strongest and most controversial male pilot in Huaxia​. But now that Zetian has had a taste of power, she will not cower so easily. She will miss no opportunity to leverage their combined might and stop more girls from being sacrificed."

I knew I would enjoy this book but I absolutely loved it. 

For a debut novel, it is absolutely knockout. The plot is snappy, fast - paced and fluid while still giving the world time to be fleshed out and moments of quiet. Jay Zhao beautifully interweaves the recognizable elements of popular YA, with Chinese mythology and history all while using these elements to explore the modern dilemmas of sexism, societally condoned abuse, shame tactics, body politics, Chinese tribal politics and jingoism. However, it never becomes didactic, nor do these themes feel forced into the narrative. They flow naturally within the story structure. Clearly an incredibly well read/informed author.  

The writing is stellar. There were heart-breaking moments and moments that made me feel like I should go scream victoriously on a roof top somewhere. The descriptions were beautiful, and created a vivid and unique world for me. The Chrysalises sounded so damn cool. The dialogue is so good, it never felt clunky and each person had a very unique voice. 

The characters where all so lovable to me. Very few novels out there allow their female protagonist to gain full ownership not only of her body, but of her destiny; to be merciless and vengeful, and cold-blooded; to kill people in order to achieve her goals. Zetian is brutal and fabulous. She is allowed to be as cold and calculating as her male peers, arguably more so, while never becoming unrelatable. She loves and feels so deeply, which is why she fights so hard. She is probably the first "empowering" character that I have read that I actually felt was relatable and genuinely had me coming away feeling pumped. 

Li Shimin was adorable, this huge, terrifying, hulking solider is actually a big softie. This contrasted by Gao YiZhi, who is the most traditionally feminine of them all, is the cool and calculating strategist. I adored the dynamics between the three of them. I wasn't aware that it was going to be a polyamorous relationship so I was so thrilled when I started to see the way that the book was headed. I also just really appreciated seeing a relationship between a more aggressive women and and more feminine guy, where she didn't look down on him, nor did he feel emasculated by her in anyway. It was beautiful and refreshing. 

While there where some elements that where clearly recognizable from other places such as the obvious nod to Pacific Rim or Ender's Game, I never felt that this book was derivative. It felt unique, original, scintillating and surprisingly gritty in places. I would 100% recommend and I am looking forward to the next instalment after that plot twist! 

Age Rating 17+. Mentions of domestic violence, rape, abuse, physically mutilation, torture.





Sunday, 2 January 2022

The Goddess Chronicles - Natsuo Kirino

"In a place like no other, on a mystical island in the shape of tear
drop, two sisters are born into a family of oracles. Kamikuu is admired far and wide for her otherworldly beauty; small and headstrong Namima learns to live in her sister’s shadow. On her sixth birthday, Kamikuu is chosen to become the next Oracle, serving the realm of light, while Namima is forced to serve the realm of darkness—destined to spend eternity guiding the spirits of the deceased to the underworld.

As the sisters serve opposite fates, Namima embarks on a journey that takes her from the experience of first love to the aftermath of scalding betrayal. Caught in an elaborate web of treachery, she travels between the land of the living and the Realm of the Dead, seeking vengeance and closure.

At the heart of this exquisitely dark tale, Kirino masterfully reimagines the ancient Japanese creation myth of Izanami and Izanaki. A provocative, fantastical saga, The Goddess Chronicle tells a sumptuous story of sex, murder, gods and goddesses, and bittersweet revenge.
"

It's always difficult to review a translated work, because when you come across either brilliance or lack of lustre, it's difficult to assess whether that boon or bane is attributable to the author or the translator.

Such is the case with The Goddess Chronicle, by Natsuo Kirino, translated by Rebecca Copeland.

The story is a retelling of the original Japanese creation story. I suspect the original work by Kirino is a charged, tight story. Copeland's translation, however, lacks passion, and certainly this is a story about passion, in fact eons of passion as we trace the history of the Yin/Yang gods of Izanami and Izanaki reflected through the mortal lives of Namima and her unscrupulous lover.

There is much here to be said of sibling rivalry and betrayal of sacred trusts, of epic journeys both temporal and spiritual. There is a genesis story, a parallel to the Greek Eurydice and Orpheus myth. There is the struggle of the desperately poor serving religious tenets that serve only to embed their poverty and keep certain people in there place. Of female suffering and betrayal. 

It's all there. Yet not a single phrase of elegance or startling insight to lift the reader from a grey narrative to the chiaroscuro the story demands. Lack lustre characterisation leaves me emotionally detached from the story. There is no final message, no meaning to the story, no insight into the collective female experience. While all these themes are set up, not one comes to any meaningful fruition. This causes the book to feel hollow and deeply, ironically, unemotional. A real disappointment that I am not sure who to attribute blame to. 

Age Rating 15+. Sexual detail, death and certain cultural abuses. 

Monday, 16 August 2021

The Story of Kao Yu - Peter S Beagle

 "The story of a Judge travelling through ancient China, and the
criminal he encounters."

Kao Yu is a middle-aged judge in ancient China, renowned for his fairness and honesty. He spends much of the year traveling from town to town to assist with legal cases. Kao Yu is sometimes assisted in making decisions by a chi-lin, a multi-coloured Chinese unicorn (that looks nothing like a unicorn, by the way) who will suffer no dishonesty in its presence. 

Kao Yu, however, during the course of one of these journeys must struggle with the warring between his heart, his head and divine justice. 

“The Story of Kao Yu” is a melancholy tale, a story of love and loss, and the choices we make when any choice will bring us pain. Beagle effectively and respectfully captures the style of an ancient Chinese legend, while making some timeless points about our innate human weaknesses.

However, while I did enjoy the short story and the execution is perfect, I just felt that it doesn't bring anything new to the table. It relies on traditional archetypes and storylines, and doesn't do anything so many hundreds of myths and legends haven't been doing for millennia.

Age Rating 13+ Nothing untoward but a lady does kill a man for his wallet and sex is very vaguely implied by "staying the night."

Monday, 1 June 2020

The Ghost Bride - Yangsze Choo

"One evening, my father asked me if I would like to become a ghost bride..."

Though ruled by British overlords, the Chinese of colonial Malaya still cling to ancient customs. And in the sleepy port town of Malacca, ghosts and superstitions abound.

Li Lan, the daughter of a genteel but bankrupt family, has few prospects. But fate intervenes when she receives an unusual proposal from the wealthy and powerful Lim family. They want her to become a ghost bride for the family's only son, who recently died under mysterious circumstances. Rarely practiced, a traditional ghost marriage is used to placate a restless spirit. Such a union would guarantee Li Lan a home for the rest of her days, but at a terrible price.

After an ominous visit to the opulent Lim mansion, Li Lan finds herself haunted not only by her ghostly would-be suitor, but also by her desire for the Lim's handsome new heir, Tian Bai. Night after night, she is drawn into the shadowy parallel world of the Chinese afterlife, with its ghost cities, paper funeral offerings, vengeful spirits and monstrous bureaucracy—including the mysterious Er Lang, a charming but unpredictable guardian spirit. Li Lan must uncover the Lim family's darkest secrets—and the truth about her own family—before she is trapped in this ghostly world forever."


Despite some beautiful imagery and scene settings, “The Ghost Bride” is painfully slow. Even though it has the calming zen-like presence common to most Asian historical fiction novels; the plot is halted, as well. Choo has the habit of telling Li Lan’s story versus allowing the reader to ‘live’ it which is unusual as the story is told in 1st-person narrative. Li Lan never comes alive and is one-dimensional, boring, and not available for attachment. This weakens the pace of the story and filters the characters.

“The Ghost Bride” flows too much like a young adult fictional novel as Choo simplifies and overly romanticizes the plot (in a teen lust of way) while also constantly explaining things. Meaning, Choo interrupts dialogue to explain a Chinese term or tradition or even has the characters explain these to each other in a “As you know, Bob…” style common to annoying HF novels. This is not how people think or speak to each in ‘real life’ taking away from the reality of the story. Also annoying is Choo’s overuse of foreshadowing which isn’t subtle, to say the least.

Although “The Ghost Bride” is rich in historical context in terms of the story settings; the characters act, think, and respond in a much too modern way in comparison to other Asian historical fiction novels. “The Ghost Bride” is noticeably modernized, reducing the possibility of memorable and moving characters and/or plots. The novel simply lacks that special “oomph”. 

I had to eventually put it down and didn't want to carry on so I can't comment on
how the book ends. 
Age rating 13+. Creepy ghosts. 

Wednesday, 9 October 2019

Shadow of the Fox #1 - Julie Kagawa

One thousand years ago, the great Kami Dragon was summoned to grant a single terrible wish—and the land of Iwagoto was plunged into an age of darkness and chaos.

Now, for whoever holds the Scroll of a Thousand Prayers, a new wish will be granted. A new age is about to dawn.

Raised by monks in the isolated Silent Winds temple, Yumeko has trained all her life to hide her yokai nature. Half kitsune, half human, her skill with illusion is matched only by her penchant for mischief. Until the day her home is burned to the ground, her adoptive family is brutally slain and she is forced to flee for her life with the temple’s greatest treasure—one part of the ancient scroll.
There are many who would claim the dragon’s wish for their own. Kage Tatsumi, a mysterious samurai of the Shadow Clan, is one such hunter, under orders to retrieve the scroll…at any cost. Fate brings Kage and Yumeko together. With a promise to lead him to the scroll, an uneasy alliance is formed, offering Yumeko her best hope for survival. But he seeks what she has hidden away, and her deception could ultimately tear them both apart.


The main events happen  in the first few chapters and it is almost 300 pages before the book gets back to the main plot of finding the scroll. In between, the two characters travel to the temple, having what feel like various mini adventures along the way. It feels episodic, like anime episodes. The characters from Japanese mythology are  fascinating and my main reason for reading, but the story meanders, name-dropping creature after creature - such as oni or gaki - in order to prolong the weak plot.

Though the romance is pretty tame in this book, it was cliché. I feel like I've read versions of the two of them hundreds of times: aloof warrior dude and a beautiful naïve girl who requires protecting-- what could possibly happen? But to be honest I am not to mad, it was sweet and a fun trope.  


The ending does pick up and an explosion of action awaits (with some surprises added too), but I still felt like I read maybe 100 pages of plot progression and 300 pages of filler. 

 
The characters were what truly sold me though. I loved each of them. Tatsumi was my least favourite but I loved Yumeko and Okame. He is a brilliant comic relief character that had me snorting suddenly. 


Okay real talk, there are quite a few problems with this book. The characters are walking tropes, the ending is obviously there for a sequel, the plot is episodic, anime style glowing possessed swords and white hair, the romance is nothing new and the world building is a lot of telling rather than showing. The inclusion of Japanese words could also slip up people who are less familiar with the language. However, despite all that though I must admit I enjoyed it. It was a guilty pleasure that I will definitely read the sequel of. 

Age Rating 14+. Nothing untoward.