"Natacha Tormey was born into the infamous religious cult known as The Children of God. Abused, exploited, and brainwashed by ‘The Family’, Natacha’s childhood was stolen.
Born to French hippy parents attracted to the religious movement by the unusual mix of evangelical Christianity, free love and rejection of the mainstream, from an early age Natacha was brainwashed to believe she had a special destiny – that she was part of an elite children’s army bestowed with superpowers that would one day save the world from the Anti-Christ.
Torn away from their parents, Natacha and her siblings were beaten on a daily basis and forced to sing and dance for entertainment in prisons and malls. Natacha never expected to live to adulthood.
At the age of 18 Natacha escaped, but quickly found herself hurtling through a world she had no understanding of. Alone, and grappling to come to terms with an unbelievable sense of betrayal, she was stuck in a kind of limbo – confused and unable to feel part of either way of life."
Tormey's story is presented in a chronological manner, taking us through her childhood into adulthood. This is one of those books that is hard to read. You will find yourself getting angry that this abuse was allowed to take place and her parents, who should have been protecting her, were seemingly incapable of doing so. Ultimately it is worthwhile to know that The Family still exists and they are still abusing children. It certainly took bravery and fortitude for her to stand up and say publicly what happened to her and others at the hands of adults.
She escapes from the cult, but like many survivors of childhood abuse, that is the first of many small steps that must be taken toward recovery. She may have left the cult, but she finds herself trying to survive in a world that she knows little about and has no experience navigating.
Not an easy read at all. This book was a hideous account of life growing up inside the cult 'The Children of God', later called 'The Family'. It is truly unthinkable that one man could brainwash so many around the world with his sick and depraved ideas and yet he somehow did. Whilst this was not a comfortable read it is an important account to remind us that this is a danger which sadly still remains possible.
Age Rating 15+. Sexual and physical abuse, suicide and drug use.
Wednesday, 13 February 2019
Sing, Unburied, Sing - Jesmyn Ward
"Jojo is thirteen years old and trying to understand what it means to be a man. He doesn’t lack in fathers to study, chief among them his Black grandfather, Pop. But there are other men who complicate his understanding: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who won’t acknowledge his existence; and the memories of his dead uncle, Given, who died as a teenager."
Sing, Unburied, Sing is a character study of a contemporary African-American family in Mississippi, but it is also a darkly beautiful story about ghosts. In the literal and figurative sense.
Ward creates a really strong sense of place. I could easily picture this rural poor Southern setting with its history of racial tensions that have never quite gone away. From the beginning, I knew this was going to be something special. The writing pulls you into this world, into the minds and lives of the vivid characters.
Into this setting, the author introduces the perspectives of Leonie, a drug addict increasingly haunted by the ghost of her brother, Given, who was shot by a white football player. The other main perspective is Leonie's teen son, Jojo, who is more of a parent to his young sister than Leonie has ever been. They live with Leonie's parents - known throughout as Mam and Pop - the former ravaged by chemo, and the latter haunted by the ghosts of his own dark past.
Many stories from the past emerge through Mam and Pop, including the story of young Richie, a prisoner from Pop's tales of his time in jail. Richie also occasionally takes the narrative in between Pop's revelations about the horrors inside Mississippi State Penitentiary, and the gradually-uncovered truth of Richie's fate.
There was more of a supernatural/ voodoo element then I first suspected but I really enjoyed it and it was a nice twist from the ordinary.
While a good book, I must say unfortunately that I found it slow going for most of the read.
Age Rating 14+. Drugs, swearing, lynching and a graphic goat butchering scene.(Also a lot of vomiting during a car ride.)
Sing, Unburied, Sing is a character study of a contemporary African-American family in Mississippi, but it is also a darkly beautiful story about ghosts. In the literal and figurative sense.
Ward creates a really strong sense of place. I could easily picture this rural poor Southern setting with its history of racial tensions that have never quite gone away. From the beginning, I knew this was going to be something special. The writing pulls you into this world, into the minds and lives of the vivid characters.
Into this setting, the author introduces the perspectives of Leonie, a drug addict increasingly haunted by the ghost of her brother, Given, who was shot by a white football player. The other main perspective is Leonie's teen son, Jojo, who is more of a parent to his young sister than Leonie has ever been. They live with Leonie's parents - known throughout as Mam and Pop - the former ravaged by chemo, and the latter haunted by the ghosts of his own dark past.
Many stories from the past emerge through Mam and Pop, including the story of young Richie, a prisoner from Pop's tales of his time in jail. Richie also occasionally takes the narrative in between Pop's revelations about the horrors inside Mississippi State Penitentiary, and the gradually-uncovered truth of Richie's fate.
There was more of a supernatural/ voodoo element then I first suspected but I really enjoyed it and it was a nice twist from the ordinary.
While a good book, I must say unfortunately that I found it slow going for most of the read.
Age Rating 14+. Drugs, swearing, lynching and a graphic goat butchering scene.(Also a lot of vomiting during a car ride.)
Tuesday, 12 February 2019
House of Windows - Alexia Casale
"Nick hates it when people call him a genius. Sure, he's going to Cambridge University aged 15, but he says that's just because he works hard. And, secretly, he only works hard to get some kind of attention from his workaholic father.
Not that his strategy is working.
When he arrives at Cambridge, he finds the work hard and socialising even harder. Until, that is, he starts to cox for the college rowing crew and all hell breaks loose..."
House of Windows follows Nick, who is going to Cambridge University at the age of fifteen. Nick is incredibly bright, but doesn’t like to be labelled as a ‘genius’. He just sees himself as hard working! First of all, Nick struggles with the transition to university, especially being so young. He finds the university work harder than he had anticipated and the socialisation is something he’s never really been good at. Nick joins the rowing crew, hoping to eventually make a friend so he doesn’t feel so isolated. To be honest the rowing and its team is a much smaller element then I expected.
Nick’s isolation from his peers is a really strong element to House Of Windows. I don’t think that Nick is a particularly likeable character at the start of the book, but as the book progresses, I started to understand and empathise with him more. I felt like Nick was craving recognition from his father who works really hard often avoiding Nick. At the heart of House Of Windows is a story about the importance of choosing your own family and feeling like you belong.
I found the beginning of this book abit of a slog and difficult to get through but once you do, you find a really strong emotional core. As you get deeper into the book you become more involved with the people Nick meets. There is Tim, Professor Gosswin and Ange.
Many of the other characters become so real you end up getting into emotional knots when something happens to them. I really loved the family dynamics and found them very heart warming. The one person who remains consistent is Nick’s father, who I have reserved a special place for in my ‘loathe-box’. As absentee father he excels and every time he let Nick down (again) a little piece of me broke and raged.
During the course book Nick grows from someone who pushes everyone away to a young man who can see that people helping him doesn’t mean they’re pitying him.
House of Windows doesn’t tie up in a pretty bow ending, it leaves you with reality that's looking upward. Not everything is fixed, people don’t always change but others can surprise you and there are journeys to be had.
Age Rating 12+. Nothing untoward but needs a more mature mind to understand the concepts.
Not that his strategy is working.
When he arrives at Cambridge, he finds the work hard and socialising even harder. Until, that is, he starts to cox for the college rowing crew and all hell breaks loose..."
House of Windows follows Nick, who is going to Cambridge University at the age of fifteen. Nick is incredibly bright, but doesn’t like to be labelled as a ‘genius’. He just sees himself as hard working! First of all, Nick struggles with the transition to university, especially being so young. He finds the university work harder than he had anticipated and the socialisation is something he’s never really been good at. Nick joins the rowing crew, hoping to eventually make a friend so he doesn’t feel so isolated. To be honest the rowing and its team is a much smaller element then I expected.
Nick’s isolation from his peers is a really strong element to House Of Windows. I don’t think that Nick is a particularly likeable character at the start of the book, but as the book progresses, I started to understand and empathise with him more. I felt like Nick was craving recognition from his father who works really hard often avoiding Nick. At the heart of House Of Windows is a story about the importance of choosing your own family and feeling like you belong.
I found the beginning of this book abit of a slog and difficult to get through but once you do, you find a really strong emotional core. As you get deeper into the book you become more involved with the people Nick meets. There is Tim, Professor Gosswin and Ange.
Many of the other characters become so real you end up getting into emotional knots when something happens to them. I really loved the family dynamics and found them very heart warming. The one person who remains consistent is Nick’s father, who I have reserved a special place for in my ‘loathe-box’. As absentee father he excels and every time he let Nick down (again) a little piece of me broke and raged.
During the course book Nick grows from someone who pushes everyone away to a young man who can see that people helping him doesn’t mean they’re pitying him.
House of Windows doesn’t tie up in a pretty bow ending, it leaves you with reality that's looking upward. Not everything is fixed, people don’t always change but others can surprise you and there are journeys to be had.
Age Rating 12+. Nothing untoward but needs a more mature mind to understand the concepts.
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